Wednesday, February 5, 2014

Reid's 2014 Oscar Preview


Last year, I began writing an article similar to one in the Boston Globe in which critics preview the Academy Awards, using 4 categories:  “Will Win,” “Should Win,” “Shouldn’t Be Here,” and “Was Robbed.”  They follow each with a paragraph about the races.   I will use the same format this year to preview eight categories of the 2014 Academy Awards (movies from 2013).

Now, I should mention in advance that I usually give the Academy voters more credit than they deserve in picking the best picture.  I mistakenly assume that they watch the movies, like I do, and vote for the film that had the best script, direction, acting, filming, etc., when actually, they often vote for a director they like or want to work with, or for the movie that hired them or most of their friends.  As a result, you have results like “Argo” beating “Lincoln,” “The Hurt Locker” over “Avatar,” “The Departed” over “Letters from Iwo Jima,” and “Crash” over all of the other more worthy nominees.  But, just as often, they do end up picking a Best Picture that is at least one of the top three, so they deserve some credit.

So, here is my preview:

Best Picture

The Nominees: “American Hustle,” “Captain Phillips,” “Dallas Buyer’s Club,” “Gravity,” “Her,” “Nebraska,” “Philomena,” “12 Years a Slave,” “The Wolf of Wall Street”
Will Win: “Gravity”
Should Win: “Gravity”
Shouldn’t Be Here: “The Wolf of Wall Street”
Was Robbed:  “Saving Mr. Banks” 

A month ago, I would have said that “American Hustle” will win, but the trend seems to be moving away from that movie, which is mostly actor-driven, to the more worthy “Gravity,” which contains all of the elements of a great film.  “12 Years a Slave” has an outside chance, but because it is an American story with a British director and star, it is less likely to win.  DiCaprio’s performance in “The Wolf of Wall Street” is Oscar-worthy, but the movie itself is not. And I can’t understand how the voters passed up the beautiful “Saving Mr. Banks,” especially in a field where up to ten films can be nominated; maybe it’s some anti-Disney sentiment.

Best Actor

The Nominees:
  • Christian Bale in “American Hustle”
  • Bruce Dern in “Nebraska”
  • Leonardo DiCaprio in “The Wolf of Wall Street”
  • Chiwetel Ejiofor in “12 Years a Slave”
  • Matthew McConaughey in “Dallas Buyer’s Club”
Will Win: Matthew McConaughey in “Dallas Buyer’s Club”
Should Win: Leonardo DiCaprio in “The Wolf of Wall Street”
Shouldn’t Be Here: none
Was Robbed:  Tom Hanks in “Captain Phillips”

This is a tough category because all five actors deserve to be in it, but so does Tom Hanks for his riveting performance in “Captain Phillips.”  McConaughey’s performance was excellent, and he seems to have the voters on his side, but it’s a shame if DiCaprio misses winning the award for his amazing portrayal of real-life Wall Street entrepreneur Jordan Belfort in “The Wolf of Wall Street,” which is the only reason to see the movie.

Best Actress

The Nominees:
  • Amy Adams in “American Hustle”
  • Cate Blanchett in “Blue Jasmine”
  • Sandra Bullock in “Gravity”
  • Judi Dench in “Philomena”
  • Meryl Streep in “August: Osage County”
Will Win: Cate Blanchett in “Blue Jasmine”
Should Win: Cate Blanchett in “Blue Jasmine”
Shouldn’t Be Here: none
Was Robbed:  Brie Larson in “Short Term 12”

The Academy went big on this one, nominating five of its A-list actresses, all of whom submitted outstanding performances.  Cate Blanchett will likely win for her outstanding portrait of a once-wealthy woman who has lost everything, including her mind.  However, I wouldn’t be upset if they gave it to Judi Dench for her simultaneously forceful and subdued performance in “Philomena.”  And while Brie Larson deserves to be here because of her incredibly nuanced performance in “Short Term 12,” I have a feeling she’ll be getting plenty more opportunities as her career progresses.

Best Director

The Nominees:
  • David O. Russell for “American Hustle”
  • Alfonso Cuarón for “Gravity”
  • Alexander Payne for “Nebraska”
  • Steve McQueen for “12 Years a Slave”
  • Martin Scorsese for “The Wolf of Wall Street”
Will Win: Alfonso Cuarón for “Gravity”
Should Win: Alfonso Cuarón for “Gravity”
Shouldn’t Be Here: Martin Scorsese for “The Wolf of Wall Street”
Was Robbed:  Lee Daniels for “The Butler”

Last year, the Academy inexplicably bypassed Steven Spielberg (Lincoln) in favor of Ang Lee (Life of Pi), so you never know what they are going to do, but as far as I’m concerned, this is the most clear-cut choice of the awards.  Cuarón created a drama that envelopes you in a three-dimensional vision of space while making you feel the way you might in zero gravity, and in doing so, he advanced the art of filmmaking.  And while I know it’s sacrilege to leave Scorsese out of a discussion of Best Director, this film didn’t deserve it, especially when you had Lee Daniels (The Butler) effectively chronicling the Civil Rights movement and its effect on the American presidency.

Best Supporting Actor

The Nominees:
  • Barkhad Abdi in “Captain Phillips”
  • Bradley Cooper in “American Hustle”
  • Michael Fassbender in “12 Years a Slave”
  • Jonah Hill in “The Wolf of Wall Street”
  • Jared Leto in “Dallas Buyer’s Club”
Will Win: Jared Leto in “Dallas Buyer’s Club”
Should Win: Jared Leto in “Dallas Buyer’s Club”
Shouldn’t Be Here: Bradley Cooper in “American Hustle”
Was Robbed:  Will Forte in “Nebraska”

First, let me say that Jared Leto’s performance as a transgendering AIDS patient was brilliant, and he deserves to win the Oscar he almost certainly will receive.  I’d also like to say that I usually like Bradley Cooper, but this performance was awful and is in no way comparable to the other actors in this category.  Finally, although Bruce Dern is getting much-deserved praise for his role in “Nebraska,” the Academy should have also recognized Will Forte, who plays off Dern perfectly in a more nuanced role.  It reminds me of Tom Cruise in “Rain Man,” who deserved a nomination in support of Best Actor winner Dustin Hoffman.

Best Supporting Actress

The Nominees:
  • Sally Hawkins in “Blue Jasmine”
  • Jennifer Lawrence in “American Hustle”
  • Lupita Nyong’o in “12 Years a Slave”
  • Julia Roberts in “August: Osage County”
  • June Squibb in “Nebraska”
Will Win: Lupita Nyong’o in “12 Years a Slave”
Should Win: Lupita Nyong’o in “12 Years a Slave”
Shouldn’t Be Here: Jennifer Lawrence in “American Hustle”
Was Robbed:  Julianne Moore in “Don Jon”

Lupita Nyong’o definitely earned and will likely receive this award for her performance as a slave in an awful situation in the excellent “12 Years a Slave.”  And while I really like Jennifer Lawrence as an actress, I felt that this performance was completely over the top, especially when compared to the beautifully subtle performance of Julianne Moore in “Don Jon.”

Best Adapted Screenplay

The Nominees:
  • Richard Linklater, Julie Delpy, and Ethan Hawke for “Before Midnight”
  • Billy Ray for “Captain Phillips”
  • Steve Coogan and Jeff Pope for “Philomena”
  • John Ridley for “12 Years a Slave”
  • Terence Winter for “The Wolf of Wall Street”
Will Win: John Ridley for “12 Years a Slave”
Should Win: Steve Coogan and Jeff Pope for “Philomena”
Shouldn’t Be Here: Billy Ray for “Captain Phillips”
Was Robbed:  Kelly Marcel and Sue Smith for “Saving Mr. Banks”

John Ridley’s script for “12 Years a Slave” is excellent, but it was mostly written by Solomon Northup in his memoir of 1853, which recalled his own experiences.  Ridley himself has stated as much.  On the other hand, Steve Coogan and Jeff Pope wrote a beautiful and heartwarming script around the book, The Lost Child of Philomena Lee by Martin Sixsmith.  And while Billy Ray’s script for “Captain Phillips” was very straightforward, it lacked the depth and sensitivity of Kelly Marcel and Sue Smith’s script for “Saving Mr. Banks.”

Best Original Screenplay

The Nominees:
  • Eric Warren Singer and David O. Russell for “American Hustle”
  • Woody Allen for “Blue Jasmine”
  • Craig Borten and Melissa Wallack for “Dallas Buyer’s Club”
  • Spike Jonze for “Her”
  • Bob Nelson for “Nebraska”
Will Win: Spike Jonze for “Her”
Should Win: Spike Jonze for “Her”
Shouldn’t Be Here: Woody Allen for “Blue Jasmine”
Was Robbed:  Destin Daniel Cretton for “Short Term 12”
 
The category is Best Original Screenplay, and there was little more original this year than Spike Jonze’s unsettlingly offbeat film, “Her,” about a man in love with an operating system.  While the script bogged down at times, it generally kept you thinking in a way most comparable to George Bernard Shaw’s “Pygmalion,” which was as applicable to its time (1912) as this film is to the not-too-distant future.  And while “Blue Jasmine” is an interesting character study, it lacks the sparkle of Allen’s best scripts.   However, it would be remiss to not mention Cretton’s outstanding script for “Short Term 12,” which, from the opening scene, draws you into a world of at-risk teens and takes you realistically, and at times poetically, through the obstacles they face.

Sunday, January 12, 2014

The Best Movies of 2013


So, in preparing my list for 2013, there are some movies that I’ve ranked much lower than those preferred by the critics and awards-givers.  But that’s the benefit of having my own list…I don’t have to worry about what they say.
 
Kudos go out to a few actors this year who gave good performances in multiple movies.  They include Tom Hanks (“Captain Phillips,” “Saving Mr. Banks”), Sandra Bullock (“The Heat,” “Gravity”), Carey Mulligan (“The Great Gatsby,” “Inside Llewyn Davis”), Jennifer Lawrence (“The Hunger Games: Catching Fire,” “American Hustle”), Channing Tatum (“Side Effects,” “White House Down”), Scarlet Johansson (“Don Jon,” “Her”), Max Casella (“Blue Jasmine,” “Inside Llewyn Davis”), Rooney Mara (“Side Effects,” “Ain’t Them Bodies Saints,” “Her”), Brie Larson ("The Spectacular Now," Don Jon," "Short Term 12"), Benedict Cumberbatch (“Star Trek Into Darkness,” “12 Years a Slave,” “August: Osage County”), and the ubiquitous Amy Adams (“Man of Steel,” “American Hustle,” “Her”).

Now, those of you who know me and/or have read my list before, probably realize a few things about my movie preferences:

  1. My favorite movies have both a good plot and well-developed characters.  Unfortunately, not enough of today’s films possess those characteristics—there are a lot of good plots with no real characters, and there are just as many movies about characters with hardly any plot.
  2. I don’t like movies about nasty people doing awful things to each other.  I find those movies neither entertaining nor possessing any redeeming social value, so I leave them off my list.
  3. I enjoy movies that either entertain me and/or in some way uplift me.  I get plenty of reality in my daily life, so I don’t need to pay to watch it on screen.
  4. I don’t watch a lot of animated films because, let’s face it, how many times can you watch a talking rodent, even if he is somewhat humorous?  I figure I paid my dues in the animation department when Alex was young, so unless a film is in some other way outstanding, I skip the cartoons.
  5. I don’t include documentaries on my list, because comparing them to scripted and acted films is like the proverbial “apples to oranges.”
  6. I’m a writer, so I tend to like films where the script is fresh and interesting, but I’m also a guy, so I like well-made action films.
  7. I’m not invited to free movie screenings, nor do I get to meet the casts or directors.  I’m just a person who likes movies, pays to see them like everyone else, and writes about the ones he likes.

Now that we’ve cleared all of that up, I want to point out that as I see additional movies from 2013, I may add them to this list.  So, while it started as the 30 best movies, it may end up with several more.  Here it is—my list of the Best Movies of 2013, in inverse order:

34.    Inside Llewyn Davis
This is a movie about a fairly interesting character, but there is no real plot, so it appears on my list, but at the bottom.  Oscar Isaac does a fine job with the lead role in this Coen Brothers film, and he is well-supported by performances by Carey Mulligan, John Goodman, Justin Timberlake, and Max Casella.  But the film goes nowhere, other than painting a portrait of a fairly unlikeable person.  If you enjoy acoustic folk music, you’ll probably want to see this film somewhere with a good sound system.

33.    Man of Steel
So, I’m a sucker for Superman movies.  What I liked about this one was that it didn’t try to do too much…it just told the Superman story in an interesting way.  I also liked how it reimagined Lois Lane as a kickass Amy Adams.  Zach Snyder’s direction wasn’t perfect, but it reigned in a high-powered cast (including Russell Crowe, Kevin Costner, Diane Lane, and Laurence Fishburne) into (if this is possible) a little movie about a larger-than-life superhero.

32.    World War Z
While we’re on the subject of reimagining, director Marc Forster put together a film, loosely based on the Max Brooks novel, that added new elements to a tired genre by making the Zombies fast and the protagonists (including Brad Pitt) smart.  The character development was less than outstanding, but it was still fun and interesting to watch.

31.    American Hustle
I’m putting this movie on my list because of the performances by Amy Adams and Christian Bale.  However, in terms of the other two leads, Jennifer Lawrence overacted, and Bradley Cooper was terrible.  Nevertheless, it tells the true, albeit highly fictionalized, tale of the Abscam scandal of 1978.  It is directed by David O. Russell, who gets lost in the backstories, and as a result, the narrative flow suffers.  However, it ties together well in the end, and there are a few dark comedic turns along the way.

30.    White House Down
You might be tempted to laugh at this selection, but I laughed with it.  This Roland Emmerich-directed movie is a blatant rip-off of “Die Hard,” “Air Force One,” and a slew of other action-comedy films.  But it’s fun to watch, and the buddy chemistry is apparent between Jamie Foxx and Channing Tatum, not to mention Maggie Gyllenhaal, Richard Jenkins, James Woods, and a bunch of other actors who really appeared to enjoy making this very entertaining movie.

29.    Blue Jasmine
This Woody Allen-written/directed film is one of those movies that are all about the characters without much plot.  However, the acting by Cate Blanchett is Oscar-worthy, and because of that, I included it on my list.  Her performance is pitch perfect, as is her WASPy American accent, and her character is very well-developed.  While not one of Woody’s best, it still warrants a mention here.

28.    Before Midnight
Let me start by saying that this movie—the third in a long-term series, was not nearly so good as its predecessors—“Before Sunrise” and “Before Sunset.”  However, as the conclusion (or seeming conclusion) of this Richard Linklater trilogy, it had enough interesting moments to make my list.  Ethan Hawke and Julie Delpy reprise the roles they first invented in 1995, and bring some sense of closure, however uncomfortable, to the saga of their characters’ intertwined lives.

27.    The Wolf of Wall Street
Remember how I said earlier that I don’t like movies about nasty people doing awful things to each other?  Well, this is one of those movies…and it lasts for three hours.  It’s on my list for one reason…Leonardo DiCaprio, who proved with this role that his time has come.  This was a bravura performance from beginning to end, as a character that made you love him and hate him at the same time.  Add in his amazing physical performance (he spent nearly the entire movie drunk, high, or both), and you have a performance that is my hands-down favorite for the Academy Award (even if the high-minded voters don’t give it to him).

26.    The Dallas Buyers Club
Set in 1985, as the AIDS epidemic began reaching a crisis, this movie, directed by Jean-Marc Vallée, is a tender portrayal of one man’s journey from a straight stud who contracts the virus (from a prostitute) to a benevolent caregiver who is trying to bring relief, through medication, to thousands of AIDS patients.  The lead character, played  beautifully by Matthew McConaughey, develops a close relationship with another patient, in an Oscar-worthy performance by Jared Leto.  The antagonist in this film, written by Craig Borten and Melisa Wallack, is the government, which doesn’t want medications to be widely distributed before they have been fully tested and approved through a lengthy process controlled by the medical establishment—all this while patients continued to die at a rapid pace.  Although the film bogs down at times, it is still a worthwhile two hours.

25.    Iron Man 3
The first “Iron Man” movie in 2008 was one of the better Marvel superhero movies, as director Jon Favreau gave Robert Downey, Jr. and Gwyneth Paltrow a free rein to create interesting characters, and their chemistry was palpable.  The second installment (2010) suffered a bit from sequelitis, so I feared for number 3.  But while sticking with the same two, very talented actors (plus Don Cheadle), they shook things up by having this film written by Drew Pearce and Shane Black and directed by Black.  Favreau stuck around as executive producer while reprising his acting role, and the cast was bolstered by the performances of Guy Pearce and Ben Kingsley.  It worked, as once again the franchise seemed fresh, and the film was fun to watch. 

24.    42
It seems like every year produces one, good, sports movie, and 42 is that.  But Brian Helgeland’s film is also about the civil rights struggle, as it tells the story of Jackie Robinson (played by Chadwick Boseman) breaking Major League Baseball’s color barrier.  Nitpickers will point out that some of the facts are off, but who cares?  The film is a surprisingly affective portrayal of a difficult time for African American athletes.  It also featured excellent performances by Nicole Beharie as Rachel Robinson (Jackie’s wife) and Harrison Ford (who appeared in four movies this year) in an outstanding portrayal of Branch Rickey, the Brooklyn Dodgers executive who ushered in a new era of professional sports.

23.    Star Trek Into Darkness
In this, the second installment of JJ Abrams’s Star Trek prequels, I really enjoyed how this film built on the characters Abrams established in the first film while beginning to show how they will eventually grow into the larger-than-life crew of the Starship Enterprise.  The plot, although on the light side, kept me interested enough to pay attention to the actors, most of whom were reprising roles they first played in 2009, and who were joined in this film by Benedict Cumberbatch and Alice Eve, among others.  There’s a certain quality to this new franchise that I enjoy in each installment.

22.    August: Osage County
Now, you might think that a film starring Meryl Streep, Julia Roberts, Chris Cooper, Juliette Lewis, Ewan McGregor, Dermot Mulroney, Sam Shepard, Julianne Nicholson, Benedict Cumberbatch, Margo Martindale, and Abigail Breslin would be ranked higher, especially because it is based on a Pulitzer Prize-winning play that was transferred to the screen by its playwright, Tracy Letts.  But John Wells’s direction seems to bog down this otherwise brilliant ensemble.  Also, the stage convention of having all of the secrets exposed in the last 20 minutes is less effective on film.  Nevertheless, this movie is worth seeing, if for no other reason than watching the interplay between the lead characters, played by Streep and Roberts—reaffirming them both as outstanding screen actors.

21.    The Bling Ring
This is a movie you’re not likely to forget, because in making it, Sofia Coppola crafted a very disturbing film that tells the true story of a group of high school students who broke into and stole from the homes of several Hollywood celebrities.  But really, it’s about how our celebrity-oriented culture messes with the minds of children and young adults.  I won’t go into greater detail for fear of ruining the all-too-true but remarkably unsettling ending of a story that would have been much harder to believe when I was a teenager.  I’ll only say that the excellent performances by Emma Watson and a few other rising stars, complemented by Ms. Coppola’s directorial choices, make this a movie worth watching.

20.    About Time
In addition to superhero movies, I admit to having a fondness for time-travel adventures, and this movie, directed by Richard Curtis (who also directed “Love Actually”), puts a whole new spin on time travel, because its lead character, played by Domhnall Gleeson has inherited a family trait (also shared by his father, played by Bill Nighy) that enables him to will himself back to any previous moment in his life.  At first, it seems a little like “Groundhog Day,” as he keeps correcting the past so he can end up with a woman played by Rachel McAdams, but he eventually learns that every slight difference in the past can have major impacts on the future, and so, if he doesn’t want to take a chance by messing up a major aspect of his life, he has to choose the points to which he’s no longer willing to return.  It’s like Doc Brown in “Back to the Future” said, “the results…could cause a chain reaction that would unravel the very fabric of the space time continuum” (I told you I like time-travel adventures).  In any event, what is remarkable about this film is the tenderness with which the lead character treats his love and family relationships, and that’s what makes it so endearing.

19.    The East
Co-written by director Zal Batmanglij and star Brit Marling, this is a movie about an operative (played by Marling) with a private firm that provides intelligence for large corporate clients about eco-terrorist groups.  She is sent to work undercover with one of these groups, whose members include characters played by Alexander Skarsgård, Ellen Page, and Aldis Hodge.  Also featured are performances by Patricia Clarkson, Jason Ritter and Julia Ormond, in what can best be described as a thriller with a conscience.  This is a movie that I added after I originally posted the list, having seen it on blu-ray.  I can’t say much more about the plot without spoiling it, but it is a very thoughtful examination of both sides of a complicated issue, and it is worth seeing.

18.    Side Effects
This Steven Soderbergh film was released back in January, so it’s easy to forget it was a 2013 film, but it was, and it is a very good movie about our society’s overdependence on psychopharmaceutical prescriptions.  It also happens to be a very effective thriller that stars Channing Tatum, Rooney Mara, Jude Law, and Catherine Zeta-Jones, and keeps you on the edge of your seat with notable twists and turns.  Soderbergh creates a weave of intrigue through his filming techniques combined with a well-written script by Scott Z. Burns.  It’s one of those films that combines plot and characters quite effectively.

17.    Fruitvale Station
This film, written and directed by Ryan Coogler, tells the true story of 22-year-old Oscar Grant III, who was shot and killed by Bay Area Transit Police, early on New Year’s Day, 2009.  It begins with an actual smartphone video of the shooting and then tells the story of the events of the day before—events that led up to the shooting.  This is a film that shows what a good director can do with an interesting story, well-developed characters, and fine acting by a cast that includes Michael B. Jordan, Melonie Diaz, and Octavia Spencer.  The movie starts at a somewhat leisurely pace, but that pace and the tension surrounding it build as the story unfolds.

16.    The Spectacular Now
This is one that I added after I first published my list.  I had wanted to see this film, directed by James Ponsoldt, when it came out early in the year, but I missed it and only saw it recently on pay-per-view.  Written by Scott Neustadter and Michael Weber, it is a beautiful, coming-of-age film about two high school seniors, played magnificently by Miles Teller and Shailene Woodley, who come from difficult households and who begin as strangers, despite sharing classes.  He's an extrovert on the border of alcoholism, while she's an introvert who has had little experience with relationships.  They somehow find and help each other while learning to take control of their lives.  It's a little story but it is well-crafted, and there is something about it that leaves the viewer wanting more.  It would be nice to see where these characters end up in a few years, and I hope we get the chance to do so.

15.    Rush
Written by Peter Morgan and directed by Ron Howard, this film tells the true story of Niki Lauder (played by Daniel Bruhl), the Formula One Racing World Champion, and his courageous battle to live and return to racing after suffering life-threatening burns in a crash.  His situation and personality are positioned in contrast to those of his chief rival, James Hunt (played by Chris Hemsworth), whose lifestyle and approach were very different from those of Lauder, while their rivalry propelled both men to succeed.  At first, I had thought this movie would be cliché, so I passed on seeing it in the theaters and waited for it to become available through on-demand.  I was wrong to do so, because it's a wonderful story of a kind of odd friendship between two very different and somewhat unlikeable people.  Ron Howard generally makes good movies, and this is one of them.

14.    Her
You can think of this as “Pygmalion” for the digital age.  It initially presents itself as a somewhat whimsical, futuristic tale of a man who develops a relationship and eventually falls in love with his operating system.  But it’s much more than that because while the man (played outstandingly by Joaquin Phoenix) is essentially staying in one place, seemingly content to relish his new (albeit unorthodox) love, the operating system (voiced by Scarlet Johansson) is constantly learning, growing, and experiencing.  In addition, director Spike Jonze creates some outstanding visual images while developing a futuristic setting that is similar to but different from our current world, even down to the types of clothing the characters wear.  The script, which Jonze wrote, is often brilliant, but occasionally mundane.  I realize he did this intentionally to make it sound like a real relationship, but it tends to bog down the pace, which is why I didn’t it give a higher ranking.  Nevertheless, this is a movie that begs to be seen.

13.    The Hunger Games: Catching Fire
I like the “Hunger Games” franchise, and I really liked this installment, which is deeper and better developed than the initial film.  Based on the book and series by Suzanne Collins, director Francis Lawrence demonstrates an ability to pull complex performances out of this excellent cast, headed again by Jennifer Lawrence (no relationship to the director).  What is mistakenly viewed by many as a series just for teens is at times dark and brooding, and at other times reminiscent of Nazi Germany.  Along the way, the characters are forced to make difficult, life-and-death decisions, but through it all, there is a sense of honor and rebellion against tyranny.  The sequel-style ending is somewhat unsettling, but make no mistake…this is a good movie.

12.    Don Jon
Initially, this film, which is written, directed by, and starring Joseph Gordon-Levitt, seems like an examination of the seedy underside of internet pornography.  But as the story moves along, it’s apparent that it’s really about the confusion that many young males feel about their sexual place in society.  Are they supposed to be the Don Juan (as the title’s play on words surmises) that society has often glamorized, or is there a real role for them as sexual beings within a loving relationship?  This movie examines those questions and the journey of one young man to find answers, even if he thinks he already has those answers.  While it’s fun to see Tony Danza play the lead character’s father, the real heavy lifting in this film is done by Scarlet Johansson and Julianne Moore, who represent vastly different roles on the spectrum of modern womanhood.  Overall, Gordon-Levitt has shown amazing potential as a writer-director of his first, full-length film.

11.    The Conjuring
Most home-possession, horror films are formulaic, badly filmed, and poorly acted pieces of crap.  Notable exceptions to this rule are “The Amityville Horror” (1979) and “Poltergeist” (1982).  But both of those movies are more than 30 years old, and since then, there has been a dearth of quality films from this sub-genre…until “The Conjuring.”  What makes this film different is that it is positioned as the true story of Ed and Elaine Warren (played expertly by Patrick Wilson and Vera Farmiga), real-life ghostbusters who rid homes of demonic possession and keep souvenirs from each adventure.  The family whose home is being haunted is headed by a down-to-Earth couple played very well by Ron Livingston and Lili Taylor.  Now, you may be thinking, like all sane people who watch home possession movies, “Why don’t they just get the hell out of there?”  This movie answers that question by making the haunting about the family, not just the house, so leaving does not fix the problem, but rather it exacerbates that problem.   In other words, this film handles the topic intelligently, and manages to be scary without resorting to the typical, jump-out-at-you, horror tricks.  If you’ve been looking for a good horror film, try this one.

10.      Captain Phillips
Unless you are really young, or you had your head in the sand, you can recall the story of the real-life ordeal faced by Captain Richard Phillips and the Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.  And you probably remember how it ends.  It doesn’t matter, because much as he did with “United 93” in 2006, director Paul Greengrass builds the tension and pacing of this movie as the story progresses.  So, from a plot perspective, the film is almost a documentary.  What makes it interesting is how the movie develops and pits against each other the two captains, played by Tom Hanks (who is just a marvelous actor) and Barkhad Abdi (in his first movie role).  The cat-and-mouse game between these two headstrong men is what kept me glued to my seat.

9.      The Way Way Back
We’ve all seen coming-of-age films, and we can recall a slew of movies about dysfunctional families, and of course, you can likely list a number of stories filmed at amusement parks of one kind or another.  But this may be the first film I can think of that combines all three of these sub-genres.  That’s right, it’s a movie about a boy from a dysfunctional family, who comes of age mostly at an amusement park—well, to be precise, a water park (to be more precise, Water Wizz, a real water park actually located in Wareham, MA).   And the most surprising aspect is that it’s a really good movie.  Directors Nat Faxon and Jim Rash started with a good script (that they wrote) and hired an outstanding cast that includes Steve Carell, Toni Collette, Allison Janney, Maya Rudolph, Rob Corddry, Amanda Peet, and Sam Rockwell (in one of his movie-stealing performances).  What emerges is an occasionally funny but often poignant tale of growing up under difficult circumstances.

8.      Short Term 12
Watching this film, I couldn't help but remember when I first started to notice independent films, long before Harvey Weinstein and others hijacked the term.  This movie reminds me of those films.  Brilliantly written and directed by Destin Daniel Cretton, this film stars Brie Larson and John Gallagher Jr., as two adults overseeing a housing facility for at-risk teens.  As the movie unfolds, you learn about their pasts (particularly that of Larson's character) that led them to their current situation.  This is a movie with heart and soul that made me think and feel about each of its characters.  It also establishes Brie Larson as a rising star.  I just saw it after it was released on DVD, and I urge you to see it.

7.      Nebraska
Alexander Payne has a knack for directing oddly sensitive movies (“Sideways,” “About Schmidt”) that put people in and out of somewhat uncomfortable situations.  He is also expert at drawing out compelling performances, such as the ones given by Bruce Dern and Will Forte in this black-and-white beauty of a film.  In it, Bruce Dern’s character is an older alcoholic at the early stages of Alzheimer’s disease who believes that a magazine offer promising him one million dollars means that he only has to travel from Billings, Montana to Lincoln, Nebraska to claim his prize.  Although realizing that the offer is simply a come-on to get Dern’s character to buy magazines, his son, played by Will Forte, eventually agrees to drive him to Lincoln.  On the way, they stop in the town where they used to live, and they experience the celebrity and envy that can come with supposed wealth.  Written by Bob Nelson, this is a wonderfully directed, acted, and filmed movie.

6.      The Butler
Directed by Lee Daniels, this film tells the story of Cecil Gaines (played by Forest Whitaker), a fictional butler who served in the White House during the administrations of multiple presidents, beginning in the 1950s.  However, the movie uses this device to trace the roots and development of the Civil Rights movement, and how African Americans from different backgrounds and generations viewed the tactics of different groups involved in that struggle.  As a white American who was alive during most of that movement, I found it incredibly interesting how the film demonstrated that, as different methods were tried and tested, each met with both support and resistance from various elements of the population intended to benefit from the results.  I also liked the portrayal of different presidents and their levels of sensitivity to the people who surrounded them every day.  Gaines’s personal story, as written by Craig Brewer, was also bolstered by supporting performances by Oprah Winfrey, David Banner, Terrence Howard, and a slew of other talented, well-known actors.

5.      Philomena
Stephen Frears directed this exquisite movie, starring Judi Dench and Steve Coogan, who also co-wrote the script with Jeff Pope, based on a book by Martin Sixsmith.  It’s about a woman who seeks the help of a burnt-out journalist to locate the son who was taken from her decades ago in the Magdelene institutions run by the Catholic church in Ireland.  I have to admit that I went to the theater expecting a typically slow, British film, but I walked out impressed by the story, the acting , the flow, and especially, the interactions between the two lead characters, played marvelously by Dench and Coogan (who is more known for his over-the-top comedic roles).  It’s not what you expect, even as those expectations change throughout the film, but it is simultaneously tender and infuriating.  I’m sure this will soon be on pay-per-view and Netflix, so if you haven’t seen it, be sure to do so.

4.      In a World…
In a world where the Golden Globes try to convince us that “American Hustle,” “Her,” “Inside Llewyn Davis,” “Nebraska,” and “The Wolf of Wall Street” are comedies, the best actual comedy of 2013 was “In a World….”  Written, starring, and directed by Lake Bell, this is a humorous portrayal of the shady underside of the voiceover profession.  In it, Bell plays the daughter of a voiceover legend, played outstandingly by Fred Melamed (whom you will recognize instantly if not for his previous movie roles than for his voice).  Bell, who has acted in several films and TV shows, enlisted the help of her friends in this, her first full-length feature film.  Fortunately for the viewers, those friends include Rob Corddry, Eva Longoria, Demitri Martin, Nick Offerman, Ken Marino, and Gena Davis.  This is a well-made, interesting, funny, and touching film about family dynamics and a small slice of the entertainment industry that we experience every day but to which we rarely pay attention.

3.      12 Years a Slave
Chiwetel Ejiofor (a great actor with an unfortunate name) stars as Solomon Northup, a free black man who is hoodwinked and sold into slavery, in this brilliant film directed by Steve McQueen (who also directed “Shame” and “Hunger”).  Based on a true story as originally written by Northup himself, and transferred to a screenplay by John Ridley, this is a gut-wrenching, personal portrayal of life as a slave, primarily on a plantation owned by a character played convincingly by Michael Fassbender.  The other supporting performances are just as convincing, particularly those by Lupita Nyong'o, Dwight Henry and Adepero Oduye, who portray characters born into slavery.  While attempting to intellectually and viscerally convey the helplessness and confinement of slavery, the film is occasionally too focused on the life of one talented and educated man and less inclusive of the suffering of slaves outside of the tiny sphere in which Northup has to survive.  Nonetheless, it is a well-made and finely acted movie about a time in America that should be regularly revisited.

2.      Saving Mr. Banks
One would think a film about the making of the movie, “Mary Poppins” would be a light, humorous, romp through the Disney time machine.  That’s not the case.  Instead, what we have is an examination of the difficult and unpleasant events in the life of P.L. Travers, the author of the Mary Poppins books (player perfectly by the always amazing Emma Thompson) that led her to eventually create this character, in part to overcome the scars of her Australian childhood.  Pit that determined woman against the character of Walt Disney himself (played by Tom Hanks), and the movie presents a clash of wills and the eventual process that was required to get “Mary Poppins” onto the silver screen.  The script by Kelly Marcel and Sue Smith draws on actual recordings made by the creative team during the movie-making process, and the direction by John Lee Hancock is right on the money.  Add in fine supporting performances by Bradley Whitford, Jason Schwartzman, Paul Giamatti, Colin Farrell, Ruth Wilson, Kathy Baker, and Rachel Griffiths, and you have a movie that combines good storytelling with great characters to make you sing, laugh, cry, and want to see it again.

1.      Gravity
What Alfonso Cuarón accomplished with this film is no less than mind-blowing.  He created a drama that envelopes you in a three-dimensional vision of space while making you feel the way you might in zero gravity.  Add to that a story about a broken person (played by Sandra Bullock) trying to survive in immensely difficult circumstances, even if she’s not sure she wants to survive.  Some criticize it by saying there is no way the character would have lived through all the hardships she faced.  But get real folks…it’s a movie.  If the lead character died after 20 minutes, would you go to see it?  If it makes you feel better, assume that 20 other people in similar situations died and that this film is about the exception.  Then you can focus on what makes this movie outstanding—the cinematography by Emmanuel Lubezki, the score by Steven Price, the editing by Cuarón and Mark Sanger, the acting by Sandra Bullock and George Clooney, and the vision, skill, and guts of Alfonso Cuarón to put it all together into a film that is so powerful and absorbing that you leave the theater feeling exhausted, almost like you went through it yourself.  This is what filmmaking is supposed to be about…losing yourself for 91 minutes in the fantastic vacuum of space, only to fall to Earth before exiting the theater.  I don’t know about you, but that’s why I go to the movies.
 
 

Wednesday, December 18, 2013

The Best Albums of 2013

2013 was a particularly good year for music, and the 100 full-length albums (no EPs) on this list are a reflection of that.  They include a diversity of music ranging from old-style soul to Swedish dance-pop, and generally feature alternative rock, R&B/soul, indie rock, and inventive pop music.  I also tend to like music that is up-front, rather than hidden by layers of production.

I have  numbered and described the top 50 and listed the others as “Honorable Mention.”  The numbering is somewhat random, because on any given day, I might want to hear one album ahead of any other, and each of the “Honorable Mention” albums could easily have made the top 50. 

Here is my list in ascending order:

50.          Gin Wigmore, Gravel & Wine

This New Zealand-based singer-songwriter sounds something like a higher-energy Amy Winehouse.  This is her second album, and includes “Black Sheep,” “Devil in Me,” and “Dirty Love.”

49.          The Dear Hunter, Migrant

Casey Crescenzo, formerly of The Receiving End of Sirens, founded this Providence-based band, which released this, their first album, that blends a range of musical styles with Crescenzo’s expressive vocals.  Songs include “Whisper,” “Shame,” and “Old Demons.”

48.          Amel Larrieux, Ice Cream Everyday

I’ve always like the luscious sound of this Manhattan-based, jazz-infused vocalist, but it’s been six years since her last full-length album.  However, she picks up right where she left off with songs including “Afraid,” “You Don’t See Me,” and “Don’t Let Me Down.”

47.          Capital Cities, In a Tidal Wave of Mystery

The first album from this Los Angeles-based band displays their potential as an interesting blend of pop and techno musicianship.  Songs include “Safe and Sound,” “Kangaroo Court,” and “Chasing You.”

46.          Kings of Leon, Mechanical Bull

Consistently one of the better American bands in terms of their songwriting and musicianship, this Nashville-based quartet consists of three brothers and a cousin—all named Followill.  This is their sixth album, and it includes “Supersoaker,” “Beautiful War,” and “Wait for Me.”

45.          The Sounds, Weekend

This Swedish band often makes my “Best Of” lists because of their infectious pop-rock.  This, their fifth album, continues that trend with songs like “Shake Shake Shake,” “Hurt the Ones I Love,” and “Great Day.”

44.          Kelela, Cut 4 Me

Kelela Mizanekristos is a Maryland-based artist who specializes in moody, base-driven songs that create a lush, enveloping sound.  This, her debut album, features songs including “Do It Again,” and “Bank Head.”

43.          New Politics, A Bad Girl In Harlem

This Danish trio moved to Brooklyn before releasing this, their second album.  The songs, combining a post-punk sound with dance rhythms, include “Tonight You’re Perfect,” “Harlem,” and “Give Me Hope.”

42.          Disclosure, Settle

Guy and Howard Lawrence comprise the English electronic duo known as Disclosure.  On this, their first full-length album, they have enlisted the support of a number of vocalists to produce a very listenable and danceable set of songs including “Latch” and “You and Me.”

41.          RJD2, More Is Than Isn't

Philadelphia-based Ramble John Krohn performs under the name RJD2.  A prolific producer, both for himself and others, he has released nine studio albums since 2002, and this one is a gem, combining a wide range of musical styles, occasional vocalists, and inventive uses of instruments—both real and synthetic.  Songs include “Temperamental,” “Her Majesty's Socialist Request,” and “Descended from Myth.”

40.          Lissie, Back to Forever

Elisabeth Corrin Maurus from Illinois performs under the stage name, Lissie.  Her music is hard to categorize other than to say her songs combine terrific tunes and lyrics with memorable themes.  Those songs include “Further Away” and “I Bet On You.”

39.          Katy Perry, Prism

It’s easy to focus on the public persona of Katy Perry (born Katheryn Elizabeth "Katy" Hudson), as well as her romantic attachments (the latest is John Mayer), while forgetting that she has produced some very good music, including this, her fourth album, which features songs like “Unconditionally,” “Dark Horse,” and “Roar.”

38.          The Front Bottoms, Talon of the Hawk

This New Jersey-based indie-rock band is essentially Brian Sella and Mathew Uychich.  Their music is smart and their lyrics are interesting, while containing enough bite to keep them in the rock genre.  Their fourth album contains songs including “Au Revoir,” “Skeleton,” “Twin Size Mattress,” and “Funny You Should Ask.”

37.          Makua Rothman, Sound Wave

Best known as one of the top professional surfers from Hawaii, Makua Rothman has morphed into a very good singer-songwriter, and this album combines Reggae sounds with island beats on songs like “Lovely” and “One Voice.”

36.          Kait Kerrigan & Brian Lowdermilk, Kerrigan-Lowdermilk Live

I rarely include live albums on my “Best Of” lists, but this is a chance to hear one of the best songwriting teams in modern musical theater performing some of their best songs with excellent vocalists.   Those songs include “Hand in Hand,” “Run Away,” “Sadie,” and “Shut Up and Listen.”

35.          Matt Hires, This World Won't Last Forever, But Tonight We Can Pretend

Tampa-based singer-songwriter Matt Hires has put together an excellent album worthy of repeated listenings, including “Forever,” “The Sound of Falling in Love,” and “All That’s Left Is You.”

34.          Chrisette Michele, Better

New York-based Chrisette Michele consistently produces some of the best R&B available today.  Her fourth album is another example of her outstanding vocal prowess.  Songs include “A Couple of Forevers,” “Better,” “Love in the Afternoon,” and “With Love.”

33.          Jillette Johnson, Water in a Whale

As far as I’m concerned, Jillette Johnson is at her best by herself at the piano.  But she also offers songs of other styles and instruments on her outstanding debut album, including “Torpedo,” “Cameron,” and Pauvre Coeur.”

32.          Rudimental, Home

On the debut album from this British electronic quartet, they enlisted the help of some of today’s top artists, including John Newman, Foxes, Emili Sande, and Alex Clare, and the result is a set of terrific songs such as “Feel the Love,” “Not Giving In,” “Right Here,” and “Free.”

31.          Superchunk, I Hate Music

This North Carolina-based quartet has been recording infectious, high-energy, pop-rock for more than 20 years, but this is my favorite of their albums, for its timeless rock riffs on songs like “Me & You & Jackie Mittoo,” “Low F,” and “FOH.”

30.          Forever the Sickest Kids, J.A.C.K.

This Texas-based post-punk band has put together their best set of songs yet on their third album.  You will definitely be tapping your toes to these songs, including “Chin Up Kid,” “Nice to Meet You,” “Count on Me,” and “Rebel.”

29.          Michael Franti & Spearhead, All People

When I think of Michael Franti & Spearhead, I start humming their delightful melodies and singing Franti’s meaningful lyrics.  This, their eighth studio album, is in keeping with their other work, and I’ve been humming/singing, since it was released.  Songs include “I’m Alive,” “Life is Better With You,” and “Let it Go.”

28.          Generationals, Heza

This New Orleans-based duo of Ted Joyner and Grant Widmer previously founded The Eames Era.  This, their third album, presents an upbeat brand of pop-rock, with songs including “Spinoza,” “Put a Light On,” and “Awake.”

27.          Charli XCX, True Romance

21-year-old Charlotte Emma Aitchison performs under the name Charli XCX, and she has already had an impact on modern electronic dance-pop, between her two solo albums and her work with other groups such as Icona Pop.  This outstanding album includes “You (Ha Ha Ha),” Set Me Free (Feel My Pain),” and “What I Like.”

26.          The Strokes, Comedown Machine

In five albums, this New York-based quintet, led by Julian Casablancas, has established itself as one of the best and most consistent bands in modern music.  Their tunes are inventive and very well played, and Casablancas’s signature vocals are immediately recognizable.  This album includes “Tap Out,” “One Way Trigger,” and “Chances.”

25.          Tegan and Sara, Heartthrob

Since 1999, the Quin twins of Calgary have been producing excellent music, while adapting different styles and approaches to keep them on the cutting edge of the recording industry.  This album is another fine offering by this outstanding duo, and it features “Closer,” “I Was a Fool,” and “How Come You Don't Want Me.”

24.          Christina Grimmie, With Love

New Jersey-based Christina Grimmie combines a lush voice with superb piano skills on this, her first full album, comprised of songs that she wrote.  This is a very talented young (19 years old) woman with a bright future ahead of her.  If you want to get in on the ground floor of a promising career, this is the album for you, featuring “With Love,” “Feelin’ Good,” and “My Anthem.”

23.          The So So Glos, Blowout

This Brooklyn-based rock quartet has released four albums, and this is by far the best.  Officially, their music is listed as “punk,” but don’t allow that label to undermine the musicianship they demonstrate on this album, with songs like “Lost Weekend,” “Wrecking Ball,” and “Speakeasy.”

22.          Elton John, The Diving Board

The Diving Board is the 31st studio album by Elton John.  Written with long-term collaborator Bernie Taupin and produced by T-Bone Burnett, it is his best work in a very long time, displaying a sensitivity and musical prowess that has been missing from Elton John’s more recent work, with songs like “Oceans Away,” “Home Again,” and “Mexican Vacation.”

21.          Robert Randolph & The Family Band, Lickety Split

Robert Randolph, from Florida, is best known for his work on the pedal steel guitar, and his band displays a joy of making music that is missing in a lot of recent corporate-produced recordings.  His brand of funk is powerful and fun, and he is assisted on this album by several musicians including Carlos Santana.  Songs include “Amped Up,” “Brand New Wayo,” and the classic “Good Lovin’.”

20.          Sky Ferreira, Night Time, My Time

21-year-old Sky Ferreira is both beautiful and talented, and she displays both (see the full album cover—not the iTunes version) on this spectacular debut album.  This is a very good collection of rock-tinged songs including “24 Hours,” “I Blame Myself,” “You’re Not the One,” and “Love in Stereo.”

19.          Paramore, Paramore

Paramore is one of my favorite bands, and the Tennessee-based trio continues to record rock music of the highest quality.  Although this is their fourth album, it is the first with an eponymous title, and as usual, Hayley Williams vocals are powerful and pure.  This is a very good album by one of America’s best modern rock bands.  Songs include “Grow Up,” “Still Into You,” and “Hate To See Your Heart Break.”

18.          CHVRCHES, The Bones of What You Believe

In their debut album, this Scottish synth-pop trio combines catchy tunes, lively hooks, indie-style vocals, and electronic beats to come up with one of the year’s most entertaining set of songs, including “The Mother We Share,” “Lies,” and “Strong Hand.”

17.          Janelle Monáe, The Electric Lady

Known for her striking looks, outrageous outfits, and consistently good music, Atlanta-based Janelle Monáe has become a true presence in the modern music scene, and the outstanding soul-tinged tunes on this album warrant the attention they are receiving.  Those songs include “Electric Lady,” “PrimeTime,” and “Dance Apocalyptic.”

16.          Clairy Browne & The Bangin' Rackettes, Baby Caught the Bus

I just love the music produced by this nine-piece Australian band, which combines 60s soul with modern production techniques to produce a toe-tapping, sing-along style of music that dares you to avoid dancing, or just moving in your chair as you listen.  Songs include “Love Letter,” “She Plays Up to You,” and “Walk of Shame.”

15.          Daft Punk, Random Access Memories

French electronic duo Daft Punk is so iconic that LCD Soundsystem released a song in 2005 named “Daft Punk is Playing at My House.”  On this, their fourth album, not only is the music better than ever, but they have enlisted the help of some of the best vocalists recording today, including Pharrell Williams and Julian Casablancas.  Aside from the megahit, “Get Lucky,” songs on this album include “Instant Crush,” “Fragments of Time,” and “Doin’ it Right.”

14.          Lucius, Wildewoman

The debut album from this Brooklyn-based quintet is breathtaking in the depth and lushness of its sound.  Jess Wolfe and Holly Laessig met at Boston’s Berklee School of music, and the band they founded is just a joy to hear.  Songs include “Turn it Around,” “Tempest,” and “How Loud Your Heart Gets.”

13.          Set It Off, Cinematics

I’m not sure how to describe the debut album from this Tampa-based band.  Do you call it post punk? Prog rock? Symphonic rock?  I just call it a great collection of wonderful songs of which I can’t seem to get enough.  Those songs include “Nightmare,” “Partners in Crime,” and “Kill the Lights.”

12.          Lorde, Pure Heroine

If you slept through the year or never listen to music, maybe you missed the megahit, “Royals,” but everyone else has taken notice of 17-year-old Lorde (nee Ella Maria Lani Yelich-O'Connor), and we have been wowed by the songwriting and vocal prowess of this lovely young New Zealander.  Songs include “Royals” and “Team.”

11.          Brendan Benson, You Were Right

Brendan Benson’s influence on modern music is undeniable, whether through his six excellent solo albums or his work with the Mood Elevator and the Raconteurs.  This Michigan-based artist just makes good music, and this album is no exception.  Songs include “It’s Your Choice” and “I Don't Wanna See You Anymore.”

10.          Haim, Days Are Gone

The three Haim sisters (Este, Danielle, and Alana), with drummer Dash Hutton, have combined make one of the most listenable albums of 2013.  Combining folk-rock style vocals with R&B-influenced rock music, this Los Angeles-based band has released a debut album that demands attention as well as repeated listenings.  Songs include “Falling,” “Forever,” and “The Wire.”

9.            Zedd, Clarity

Anton Zaslavski, better known as Zedd, has been producing electronic albums since 2009, but the remarkably successful “Clarity” is his debut album, bringing together different styles of music and outstanding musicians and singers to perform the songs, which include “Spectrum” (featuring Matthew Koma), “Stay the Night” (featuring Hayley Williams), and the title song, “Clarity” (featuring Foxes), which Zedd has remixed in several different ways.  This is a terrific electro-pop album.

8.            Neko Case, The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You

This Virginia-based singer-songwriter first achieved success with the New Pornographers, but with each of her three recent solo studio albums, she has increased her range and versatility.  This may be her best effort to date, but it merely portends the heights that this wonderful artist might reach.  Songs include “Nearly Midnight, Honolulu,” “Night Still Comes,” and “Man.”

7.            Editors, The Weight of Your Love

This British alternative rock band was founded in 2002, but finally settled on the name “Editors” in 2005, and have released four albums since.  They are musically excellent with darkly expressive vocals and melodically complex tunes, and this album is an superb example of their many talents with songs including “A Ton of Love,” “The Weight,” The Sting,” and “Formaldehyde.”

6.            Icona Pop, THIS IS... ICONA POP

The Swedish duo of Caroline Hjelt and Aino Jawo, on their first full-length album, produce techno-dance-pop that is well-produced, infectious, and thoroughly enjoyable.  I might consider it a guilty pleasure, but there’s no way I can listen to this album without tapping my toes and singing along with lyrics like “You’re so damned hard to please, we gotta kill this switch, you’re from the seventies, but I’m a nineties bitch.”  Songs include “All Night,” “I Love It,” and “Girlfriend.”

5.            Ariana Grande, Yours Truly

At the age of 20, this Boca Raton-based singer has already appeared on Broadway (in “13”) and released this debut album that demonstrates her remarkably clear voice and unlimited potential.  It might be easy to discount her as just another pop artist, but this is a young woman of substance about whom and from whom we’ll be hearing for years to come.  Songs include “The Way,” “Better Left Unsaid,” and “Almost Is Never Enough.”

4.            BOY, Mutual Friends

The Swiss/German duo of Valeska Steiner and bassist Sonja Glass (aka BOY) released this debut album in Germany in 2011, but the US release waited until 2013.  The album draws its influences from anti-folk and indie-rock.  The music is substantive, the lyrics are interesting, and the vocals are clear and eminently listenable.  Songs include “Waitress,” “Little Numbers,” and “Skin.”

3.            Vampire Weekend, Modern Vampires of the City

New York-based Vampire Weekend has released this, their third album, and once again demonstrated why they are one of the very best bands recording today.  With each album, they increase their range and musical capabilities, while always providing high-quality songs and musicianship.  This album demands repeated listenings, with songs including “Unbelievers,” “Step,” and “Diane Young.”

2.            Arcade Fire, Reflektor

It’s hard to heap enough praise on Arcade Fire.  Each of their four albums is among the very best music available in the given year.  They combine complex compositions with amazing musicianship and thought-provoking lyrics.  If you want to know what modern rock music should be, look no further than Arcade Fire.  Songs on this album include “Reflektor,” “Here Comes The Night Time,” and “Afterlife.”

1.            Beyoncé, BEYONCÉ

As 2013 reached its close in mid-December, Beyoncé shocked the recording industry by releasing this album through online outlets without any previous hype or promotion.  It is clearly the most personal and reflective work to date from the woman who may be the most talented triple-threat artist on the planet—and every song on the album has a corresponding video.  With the production help of husband Jay Z, Beyoncé has used this album to trace her life and career so far, starting with recorded introductions from her already-successful youth through her recent motherhood of Blue Ivy Carter, who is also featured on the song, “Blue.”  Other featured artists include Jay Z, Drake, and Frank Ocean, and while the songs may be less dance-oriented than previous releases, they generally demonstrate a depth and lushness that have previously eluded this multi-platinum artist.  Songs include “Pretty Hurts,” “Blow,” “Superpower,” and the sadly beautiful “Heaven.”

 

The following are all excellent albums that deserve Honorable Mention (listed alphabetically by artist):

·                     Alkaline Trio, My Shame Is True

·                     Alter Bridge, Fortress

·                     Andrew Cedermark, Home Life

·                     Barenaked Ladies, Grinning Streak

·                     Ben Rector, The Walking in Between

·                     Beth Hart, Bang Bang Boom Boom

·                     Biffy Clyro, Opposites

·                     Bobby McFerrin & Esperanza Spalding, Spirityouall

·                     Brett Dennen, Smoke and Mirrors

·                     Brown Bird, Fits of Reason

·                     Caitlin Rose, The Stand-In

·                     Camera Obscura, Desire Lines

·                     City and Colour, The Hurry and the Harm

·                     Darling Parade, Battle Scars & Broken Hearts

·                     David Bowie, The Next Day

·                     David Garza, Human Tattoo

·                     Device, Device

·                     Echosmith, Talking Dreams

·                     Elvis Costello & The Roots, Wise Up Ghost

·                     Eric Clapton, Old Sock

·                     The Fratellis, We Need Medicine

·                     Hands Like Houses, Unimagine

·                     Hellogoodbye, Everything Is Debatable

·                     Icon for Hire, Icon for Hire

·                     India.Arie, SongVersation

·                     Jake Bugg, Jake Bugg

·                     James Blake, Overgrown

·                     Jamie Cullum, Momentum

·                     Joe Bonamassa & Beth Hart, Seesaw

·                     Miley Cyrus, Bangerz

·                     Mixtapes, Ordinary Silence

·                     MS MR, Secondhand Rapture

·                     Natalia Kills, Trouble

·                     The National, Trouble Will Find Me

·                     of Montreal, Lousy With Sylvianbriar

·                     OneRepublic, Native

·                     Parquet Courts, Light Up Gold

·                     Queen V, The Decade of Queen V

·                     Queens of the Stone Age, …Like Clockwork

·                     Relient K, Collapsible Lung

·                     Rilo Kiley, Rkives

·                     Sara Bareilles, The Blessed Unrest

·                     Sleigh Bells, Bitter Rivals

·                     Telekinesis, Dormarion

·                     Train, California 37: Mermaids of Alcatraz

·                     The Uncluded, Hokey Fright

·                     Wallpaper., Ricky Reed Is Real

·                     Waxahatchee, Cerulean Salt

·                     Wheeler Brothers, Gold Boots Glitter

·                     3OH!3, Omens