Sunday, August 25, 2013

2013 Movies I Look Forward to Seeing


People who know my propensity for listing the movies I like are often asking me which movies I look forward to seeing in a given year.  To begin with, I have already enjoyed several movies this year, including (alphabetically) “The Butler,” In a World,” “Side Effects,” “The Way Way Back,” “White House Down,” and “42.”  But, as we all know, many of the movies that may be outstanding have yet to be released.  So, here are the movies I most look forward to seeing during the last four months of 2013.  They are listed alphabetically:

·         “All Is Lost”  This movie about an older man alone on a sinking sailboat may not sound like much, but with 76-year-old Robert Redford in the lead role, it promises to be an Oscar contender.

·         “American Hustle” Since “Flirting With Disaster” in 1996, David O. Russell has made a string of movies that are as good as or better than any other director’s work during that period, including “Three Kings,” “I Heart Huckabees,” “The Fighter,” and “Silver Linings Playbook.”  Here, he’s working with a familiar cast that includes Christian Bale, Amy Adams, Jennifer Lawrence, Bradley Cooper, and Jeremy Renner.  This may be my most highly anticipated film of 2013.

·         “Anchorman 2: The Legend Continues”  I admit to considerable laughter during the original Anchorman movie, and the same crew is returning for the sequel.  For my money, this was Will Ferrell’s best role, and hopefully, they can repeat the magic.

·         “August: Osage County” This could wind up being the year’s best film, starring Meryl Streep, Julia Roberts, Julianne Nicholson, Juliet Lewis, Ewan McGregor, Abigail Breslin, Chris Cooper, and many others.  The question mark seems to be director John Wells, who is primarily a TV producer (ER, Southland, Shameless, etc.).  But the original play by Tracy Letts, who also wrote the screenplay, is so good that it should transcend any directorial mishaps.

·         “Captain Phillips”  Seeing Tom Hanks live on Broadway recently in “Lucky Guy” reaffirmed how good an actor he is, given the right material.  This could be that kind of material, and as long as director Paul Greengrass sticks with the type of honest tension that made “United 93” so effective and less with the fast-cutting approach of his two Bourne movies, this one, about the 2009 pirate attack on the Maersk Alabama, could be special.

·         “Gravity” Alfonso Cuaron doesn’t make a lot of films, but “Children of Men” was a great one.  Here, he’s worked with George Clooney and Sandra Bullock on a psychological drama set in space.

·         “Inside Llewyn Davis” The story, about a Bob Dylan-like performer in Greenwich Village, sounds like a small, indie flick, except it is directed by the Cohen brothers and its cast includes Carey Mulligan, Justin Timberlake, and John Goodman.  We shall see.

·         “Jack Ryan” I’ve enjoyed the other movies based around Tom Clancy’s most famous character, so I’m willing to take a flyer on this Kenneth Branagh-directed prequel, starring Chris Pine, Kevin Costner, and Keira Knightley.

·         “Labor Day,” Right up there with David O. Russell is Jason Reitman, whose first four full-length films have been “Thank You For Smoking,” “Juno,” “Up In the Air,” and “Young Adult.” Need I say more?  Here, he’s working with Josh Brolin and Kate Winslet in his most dramatic attempt to date—a home invasion story based on Joyce Maynard’s novel.

·         “Machete Kills” For pure, gory action fun, there have been few better movies than Robert Rodriguez’s “Machete” (2010).  This is the sequel, still starring Danny Trejo, Jessica Alba, and Michelle Rodriguez, but in this case, instead of Robert DeNiro, Steven Segal, and Don Johnson, the supporting cast includes Mel Gibson, Antonio Banderas, Lady Gaga, Charlie Sheen, Cuba Gooding, Edward James Olmos, Sofia Vergara, and Venessa Hudgens (among others).

·         “The Monuments Men” This sounds like a classic WWII action flick, but it’s directed by George Clooney and stars Clooney, Matt Damon, Bill Murray, and Cate Blanchett among others.

·         “Riddick” David Twohy directed Vin Diesel in the previous two Riddick movies—“Pitch Black" (2000) and “The Chronicles of Riddick” (2004).  The first was a brilliant piece of horror/sci-fi/action and the second was an overblown piece of crap.  In interviews, Twohy has admitted both and wants to get back to the level of suspense that made “Pitch Black” so special.


·         “The Secret Life of Walter Mitty” I loved the original film version of this Thurber story, which starred the amazing Danny Kaye, so I’m both excited and worried about Ben Stiller’s remake.

·         “The Wolf of Wall Street”  In this movie, Martin Scorsese turns his attention from gangsters to investment bankers in the early 1990s.  With a great cast, headed by Leonardo DiCaprio, it could be another “Goodfellas.”

·         “12 Years a Slave” With movies like “Hunger” and “Shame,” British director Steve McQueen is quickly establishing himself as an expert in films in which psychological discomfort is a primary factor.  Here, he again gets to direct Michael Fassbender, this time with Chiwetel Ejiofor finally getting a well-deserved lead role.
Other movies on my “interested in seeing” list include (alphabetically) “The Counselor,” “Diana,” “Don Jon,” “Ender’s Game,” “The Family,” “The Fifth Estate,” “Grace of Monaco,” “Her,” “The Hunger Games: Catching Fire,” “Last Vegas,” “Nebraska,” “Oldboy,” “Out of the Furnace,” “Philomena,” “Prisoners,” “Runner Runner,” "Rush," ”Saving Mr. Banks,” “Thor: The Dark World,” and “Touchy Feely.”

Monday, August 12, 2013

The Best Workout Songs

 
A few months ago, Joni and I joined a fitness club, and we’ve been working out regularly.  In doing so, we have both learned the value of a good workout song—one that combines a driving beat, a strong bass track, and interesting and/or enjoyable lyrics.
 
Toward that end, I’ve put together a Workout playlist that includes my Top 50 as well as another 150+ songs that also meet the criteria.  They range in release dates from 1961 until this week, and in styles including Pop, Hip Hop, Dance, Electronic, Alternative, and Rock.  I will occasionally update this list as I add new songs to my list.  Feel free to print this out and/or direct other people to this blog.
 
They are listed alphabetically by artist, and some of the songs contain lyrics that may not be suited for all audiences.
 
The Top 50:

“Rolling In the Deep” by Adele

“Too Close” by Alex Clare

“Lost In Stereo (Cobra Starship Suave Suarez Remix)” by All Time Low

“Let the Games Begin” by Anarbor

“Nothin’ On You” by B.o.B. with Bruno Mars

“White Wedding (Part 1)” by Billy Idol

“Girl All the Bad Guys Want” by Bowling for Soup

“Tonight I’m Getting Over You (Remix)” by Carly Rae Jepsen with Nicki Minaj

“Lady Marmalade” by Christina Aguilera, Lil’ Kim, Mya & P!nk

“Snakes On a Plane (Bring It)” by Cobra Starship, The Academy Is..., Gym Class Heroes, The Sounds, and The All-American Rejects

“Viva la Vida” by Coldplay

“Hands Down” by Dashboard Confessional

“Really Don’t Care” by Demi Lovato with Cher Lloyd

“Pump It Up” by Elvis Costello

“A Little Party Never Killed Nobody (All We Got)” by Fergie, Q-Tip & GoonRock

“Jesus Of Suburbia” by Green Day

“Never Say Goodbye” by Hardwell & Dyro with Bright Lights

“I Love It” by Icona Pop with Charli XCX

“Tightrope” by Janelle Monáe with Big Boi

“Walking On Sunshine” by Katrina & The Waves

“Firework” by Katy Perry

“Stronger (What Doesn’t Kill You)” by Kelly Clarkson

“Somebody Told Me” by The Killers

“Party Rock Anthem” by LMFAO with Lauren Bennett & GoonRock

“Yell Fire” by Michael Franti & Spearhead

“I’m Not Okay (I Promise)” by My Chemical Romance

“Casual Sex” by My Darkest Days

“L.G. FUAD” by Motion City Soundtrack

“Closer” by Ne-Yo

“Little Talks” by Of Monsters and Men

“Pretty Fly (For a White Guy)” by The Offspring

“Here It Goes Again” by Ok Go

“Troublemaker” by Olly Murs with Flo Rida

“Good Time” by Owl City & Carly Rae Jepsen

“Still Into You” by Paramore

“Take a Walk” by Passion Pit

“Hit Me with Your Best Shot” by Pat Benatar

“This City” by Patrick Stump

“Hanuman” by Rodrigo y Gabriela & C.U.B.A.

“Smooth” by Santana & Rob Thomas

“Hips Don’t Lie” by Shakira with Wyclef Jean

“The Pit” by Silversun Pickups

“Next Year” by Two Door Cinema Club

“Beautiful Day” by U2

“Anna Sun” by Walk the Moon

“Glad You Came” by The Wanted

“Friday Is Forever” by We The Kings

“Clarity [Tiesto Remix]” by Zedd with Foxes

“You’re Gonna Love This” by 3OH!3



Other Great Workout Songs



“Miss Murder” by AFI

“Girl On Fire [Inferno Version]” by Alicia Keys with Nicki Minaj

“Dirty Little Secret” by The All-American Rejects

“Coolin' in the Streets” by Andra Day with Ziggy Marley

“Crazy Beautiful” by Andy Grammer

“Gimme Shelter” by Angelique Kidjo with Joss Stone

“Everything’s Magic” by Angels and Airwaves

“What You Own” by Anthony Rapp and Adam Pascal (from “Rent”)

“Freeway of Love” by Aretha Franklin

“Be My Man” by Asa

“Love Me When You Leave” by Aubrey O’Day

“Odds Are” by Barenaked Ladies

“Flaws” by Bastille

“I Love You...Te Quiero” by Belinda with Pitbull

“Best Thing I Never Had” by Beyoncé

“(I’ve Had) The Time Of My Life” by Bill Medley & Jennifer Warnes

“You May Be Right” by Billy Joel

“Let’s Get It Started (Spike Mix)” by The Black Eyed Peas

“Footloose” by Blake Shelton

“Ghost On the Dance Floor” by Blink 182

“Ratchet” by Bloc Party

“Girl All the Bad Guys Want” by Bowling for Soup

“Little Numbers” by BOY

“Born To Run” by Bruce Springsteen

“Locked Out of Heaven” by Bruno Mars

“Short Skirt/Long Jacket” by Cake

“Sweet Nothing” by Calvin Harris with Florence Welch

“Kangaroo Court” by Capital Cities

“Bye Bye Love” by The Cars

“Everytime We Touch” by Cascada

“Take Me Home” by Cash Cash with Bebe Rexha

“Devil Is a Lady” by The Chain Gang of 1974

“Time Has Come Today” by The Chambers Brothers

“Love Sex Magic” by Ciara with Justin Timberlake

“Feelin’ Good” by Christina Grimmie

“She Plays Up to You” by Clairy Browne & The Bangin’ Rackettes

“Inner Ninja” by Classified with David Myles

“Brighter Than the Sun” by Colbie Caillat

“Dreaming of You” by The Coral

“Girls Just Want to Have Fun” by Cyndi Lauper

“Dancing In the Streets” by David Bowie & Mick Jagger

“Play Hard” by David Guetta with Ne-Yo & Akon

“Titanium” by David Guetta & Sia

“Rhythm Of The Night” by DeBarge

“Let’s Hear It For The Boy” by Deniece Williams

“To Win Your Love” by Dominique Pruitt

“The Enemy Inside” by Dream Theater

“A Ton of Love” by Editors

“Next to Me” by Emeli Sandé

“Bring Me To Life” by Evanescence

“My Songs Know What You Did In the Dark (Light Em Up) [2 Chainz Remix]” by Fall Out Boy

“Young Love” by Felix Cartal with Koko Laroo

“Shake It Out” by Florence + the Machine

“Nice to Meet You” by Forever the Sickest Kids

“Right Action” by Franz Ferdinand

“Skeleton” by The Front Bottoms

“Some Nights” by Fun.

“Not Over You” by Gavin DeGraw

“Blue Dahlia” by The Gaslight Anthem

“Rhythm Is Gonna Get You” by Gloria Estefan

“I Will Survive” by Gloria Gaynor

“Lawrence Takes Over” by Go Kart Mozart

“Rebel Beat” by The Goo Goo Dolls

“Get a Job” by Gossip

“The Wire” by Haim

“Introduced Species” by Hands Like Houses

“Spark” by Hawthorne Heights

“Barracuda” by Heart

“The Chosen Ones” by Hearts and Hands

“It’s Only Natural” by The Higher

“Ready for the Floor” by Hot Chip

“Middle of Nowhere” by Hot Hot Heat

“Don’t You Want Me” by The Human League

“All Night” by Icona Pop

“It’s Time” by Imagine Dragons

“Just Do You” by India.Arie

“What a Feeling” by Irene Cara

“I’m Shakin’” by Jack White

“Edge of Something” by Jamie Cullum

“Dance Apocalyptic” by Janelle Monáe

“The Other Side” by Jason Derulo

“Sweet Janine” by Jeffrey Gaines

“No One Compares” by Jessica Sanchez with Prince Royce

“Reggae Music” by Jimmy Cliff

“Pain” by Jimmy Eat World

“I Love Rock ‘N Roll” by Joan Jett & The Blackhearts

“Can’t Let You Go” by Joe Bonamassa & Beth Hart

“Made To Love” by John Legend

“Wild Night” by John Mellencamp & Me’shell Ndegéocello

“Love Me Again” by John Newman

“Somehow” by Joss Stone

“Take Back the Night” by Justin Timberlake

“Last Chance” by Kaskade & Project 46

“The Way We Are” by Kate Boy

“I Kissed a Girl” by Katy Perry

“Take It Off” by Ke$ha

“Gone” by Kelly Rowland with Wiz Khalifa

“Bang Bang” by K’naan with Adam Levine

“Celebration” by Kool & The Gang

“Suddenly I See” by KT Tunstall

“Wow” by Kylie Minogue

“Bulletproof” by La Roux

“Applause” by Lady GaGa

“Born This Way” by Lady GaGa

“Girl Like Me” by Ladyhawke

“Daft Punk Is Playing At My House” by LCD Soundsystem

“Satisfy You” by Leon & Mary Russell

“Soundtrack of My Life” by Less Than Jake

“Vivir Mi Vida” by Marc Anthony

“Harder to Breathe” by Maroon 5

“Disease” by Matchbox Twenty

“We Will Walk” by Matisyahu

“Forever” by Matt Hires

“Her Favorite Song (Oliver Remix)” by Mayer Hawthorne

“Smooth Criminal” by Michael Jackson

“Live Your Life” by MIKA

“What Do They Know?” by Mindless Self Indulgence

“Bad Parts” by Mixtapes

“Think of You” by MS MR

“Superstar” by Murray Head (from “Jesus Christ Superstar”)

“Liquid State” by Muse

“Saturday Night” by Natalia Kills

“Unwritten” by Natasha Bedingfield

“Fame” by Naturi Naughton (from “Fame”—2009 movie)

“All Downhill from Here” by New Found Glory

“Give Me Hope” by New Politics

“Best Song Ever” by One Direction

“If I Lose Myself” by OneRepublic

“Hey Ya!” by Outkast

“Hey Anna” by Owl City

“This Is Gospel” by Panic! At the Disco

“Meant To Be” by Parachute

“Hunny Girl” by Pepper

“Gone, Gone, Gone” by Phillip Phillips

“Hate (I Really Don’t Like You)” by Plain White T’s

“Hold Yourself Up” by The Polyphonic Spree

“Purple Yellow Red and Blue (Passion Pit Remix)” by Portugal, The Man

“Such Great Heights” by The Postal Service

“When Doves Cry” by Prince

“We Will Rock You” by Queen

“Cry Your Eyes Out” by Queen V

“I Sat By the Ocean” by Queens of the Stone Age

“Hit The Road Jack” by Ray Charles

“Face Down” by The Red Jumpsuit Apparatus

“Born to Rise” by Redlight King

“You’ve Got Time” by Regina Spektor

“That’s My Jam” by Relient K with Owl City

“Disturbia” by Rihanna

“I Remember You” by Rilo Kiley

“Re-Education (Through Labor)” by Rise Against

“Lonely No More” by Rob Thomas

“You’re Gonna Get What’s Coming” by Robert Palmer

“Brand New Wayo” by Robert Randolph & The Family Band with Carlos Santana

“Blurred Lines” by Robin Thicke with T.I. & Pharrell

“Indestructible” by Robyn

“Free” by Rudimental with Emeli Sandé

“Impossible” by Ryan Star

“Brave” by Sara Bareilles

“Partners in Crime” by Set It Off with Ash Costello

“There's No Going Back” by Sick Puppies

“Back From the Dead” by Skylar Grey with Big Sean & Travis Barker

“Another Star” by Stevie Wonder

“Tap Out” by The Strokes

“Too Much Time on My Hands” by Styx

“Can You Feel It” by Sublime with Rome and Wiz Khalifa

“Dynamite” by Taio Cruz

“A Decade Under The Influence” by Taking Back Sunday

“Now That You’re Gone” by Tanya Lacey with Lady Leshurr

“I Knew You Were Trouble” by Taylor Swift

“Part of Me” by Tedeschi Trucks Band

“Black Spartacus Heart Attack Machine” by Tom Morello: The Nightwatchman

“Drive By” by Train

“Rough Water” by Travie McCoy with Jason Mraz

“Yeah!” by Usher with Lil’ Jon & Ludacris

“Teenage Icon” by The Vaccines

“Diane Young” by Vampire Weekend

“Domino” by Van Morrison

“Last Call” by Wallpaper.

“We Are All On Drugs” by Weezer

“Temporary” by White Rabbits

“I Wanna Dance With Somebody (Who Loves Me)” by Whitney Houston

“It’s a New Day” by will.i.am

“Our Perfect Disease” by The Wombats

“Echo Park” by Ximena Sariñana

“Roundabout” by Yes

“Stay the Night” by Zedd with Hayley Williams

“365 Days” by ZZ Ward

“We Own It (Fast & Furious)” by 2 Chainz & Wiz Khalifa
 
 
 


Monday, March 18, 2013

The Best Albums of 2012

I love listening to music, and although this year, I limited my list to 85 albums, it doesn’t mean there weren’t more candidates for the list.  Any of them are really good, depending on what kind of music you like, and the fact that the same list is shared by a 77-year-old folk-rock icon and a Icelandic indie pop band releasing their first album speaks volumes about the world of music today.  I have  numbered and described the top 50 and listed the others as “Honorable Mention.”

My annual qualifier is that my tastes tend to run toward alternative rock, R&B/soul, indie rock, and inventive pop music, so if you are a fan of Classical, Country, Death Metal, or Rap, you will probably be disappointed with this list.  I also tend to like music that is up-front, rather than hidden by layers of production. 

The numbering is somewhat random, because on any given day, I might want to hear one album ahead of any other, and each of the “Honorable Mention” albums could easily have made the top 50.  With that said, here is my list in ascending order:

50.    Morning Parade, “Morning Parade”
This is the debut album of a a five-piece, English, alternative rock band with excellent modern rock sensibilities and highly enjoyable songs including “Headlights,” “Us & Ourselves,” and “Under the Stars.”

49.    Sun Kil Moon, “Among the Leaves”
The eighth album by this band, fronted by singer-songwriter Mark Kozelek, is an acoustic beauty featuring Kozelek’s outstanding lyrics and expressive singing.  Songs include the title song, “Sunshine In Chicago,” and the humorously named “The Moderately Talented Yet Attractive Young Woman vs. The Exceptionally Talented Yet Not So Attractive Middle Aged Man.”

48.    Best Coast, “The Only Place”
Bethany Cosentino and Bobb Bruno are Best Coast, and their brand of modern surf pop is an enjoyable romp that harkens to the 60s beach bands—fuzzy production techniques and all.  The group’s second album includes “The Only Place,” “Up All Night,” and “Why I Cry.”  

47.    Sharon Van Etten, “Tramp”
This Brooklyn-based artist is her own breed of singer-songwriter, capable of quiet elegance in one song followed by a rock-infringed powerhouse on the next.  Add to that her lovely but raspy voice and the production of The National’s Aaron Desner, and the result is an outstanding set of songs including “Serpents,” “Leonard,” and “We Are Fine.”

46.    Graffiti6, “Colours”
Essentially the work of British artist Jamie Scott, this infectious set of pop/soul songs is the first full album by Graffiti6, and it definitely bears repeated listening.  Songs include “Stare Into the Sun,” “Free,” and “Over You.”

45.    Field Music, “Plumb”
If you’ve read my past reviews, you’ll know that Field Music usually winds up on this list.  If you’ve listened to them, you’ll understand why I love their inventive style of rock, which defies classification.  This, their fourth album, features “Start the Day Right,” “A New Town,” and the brief but beautiful a capella tune, “How Many More Times?”

44.    Alt-J, “An Awesome Wave”
The first full studio album by this English quartet is just wonderfully different from most of what you’re likely to hear on the radio.  What jumps out at you is the excellent musicianship combined with the offbeat vocals.  Songs include “Breezeblocks,” “Dissolve Me,” and “Fitzpleasure.”

43.    Esperanza Spalding, “Radio Music Society”
After winning the Grammy for best new artist, Spaulding followed it up with this beautiful vocal jazz album that demonstrates her many talents.  Songs include “Cinnamon Tree,” “Black Gold,” and “I Can’t Help It.”

42.    Paul Buchanan, “Mid Air”
I admit to playing the Blue Nile’s “Hats” many times in the late 80s and early 90s for its superb use of multi-layered, synthesized music and the haunting vocals of Paul Buchanan.  Although he was never able to duplicate the excellence of that sonic masterpiece, his music has continued to amaze me.  This is his first solo album and it reminds me why I liked the Blue Nile so much.  Songs include “Mid Air,” “Buy a Motor Car,” and “God Is Laughing.”

41.    Loudon Wainwright III, “Older Than My Old Man Now”
On his 22nd album, the patriarch of the musical Wainwright clan explores what it’s like to get older.  In doing so, he’s created an immensely humorous and entertaining set of songs that include “The Here & the Now,” “My Meds,” and “I Remember Sex.”

40.    Silversun Pickups, “Neck of the Woods”
On their fourth studio album, the Los Angeles-based quartet shows why they are one of the most interesting alt-rock bands recording today.  Their songs have a driving beat and a lively grasp of what it takes to construct a good song, such as “Make Believe,” “Bloody Mary (Nerve Endings),” and “The Pit.”

39.    Walk the Moon, “Walk the Moon”
This is the second album (first on a major label) by a Cincinnati-based quartet that creates an exuberant sound that will have you up and dancing, or at least tapping your feet.  Songs include “Anna Sun,” “Tightrope,” and “Shiver Shiver.”

38.    Conor Oberst and The Mystic Valley Band, “One of My Kind”
Conor Oberst has recorded under his own name and as Bright Eyes.  Here, he has assembled a 5-person backup band called The Mystic Valley Band, and the result is a slightly more rock-oriented effort than his previous albums.  As always, Oberst’s songs are intelligent and thoughtful, and his unique voice adds texture to original songs like “Gentleman’s Pact,” and “Normal,” as well as covers like “Corina, Corina” and “Kodachrome.”

37.    John Boutté, “All About Everything”
New Orleans-based John Boutté is an American original.  Here, on his tenth album, he uses his sweet, emotional voice to deliver what may be the best set of songs of his career, including “These Blue Days,” “The Grass Is Greener,” and a bluesy version of the Leonard Cohen classic, “Hallelujah.”

36.    Imagine Dragons, “Night Visions”
A true modern rock band, this Las Vegas-based quartet combines excellent songwriting, outstanding musicianship, and wall-of-sound production techniques to construct songs that build from the beginning to the end.  This is their first studio album with songs that include “Radioactive,” “It’s Time,” and “On Top of the World.”

35.    Muse, “The 2nd Law”
While unlike anything Muse has done before, this, their sixth album, is a concept album about the residents of a planet who need to find somewhere else to live.  As usual, their totally enveloping sound is evident from start to finish on songs like “Madness,” “Survival,” and “Liquid State.”

34.    We Are Serenades, “Criminal Heaven”
This debut album from a Swedish duo uses modern production techniques to create a beautiful, almost symphonic sounding set of songs that includes “Birds,” “Daydreaming,” and “Walking Home.”

33.    Passion Pit, “Gossamer”
This Cambridge Mass-based band met at Berklee School of Music and debuted in 2009 with the excellent “Manners.”  This, their second effort, is even better and combines a variety of styles into a highly listenable album that includes “Take a Walk,” “Carried Away,” and “Hideaway.”

32.    The Lumineers, “The Lumineers”
If you haven’t heard the Lumineers’ “Ho Hey,” maybe you slept through this year, or you don’t listen to much new music.  Otherwise, you understand the infectiousness of their refrain, “I belong with you, you belong with me, in my sweet heart.”  The band’s debut album combines bluegrass with simple lyrics and Neyla Pekarek’s cello and includes “Flowers In Your Hair,” “Ho Hey,” and “Stubborn Love.”

31.    Laetitia Sadier, “Silencio”
The French lead singer of Stereolab released this, her second solo effort, which combines her rich, beautiful vocals with inventive musicianship that makes you take notice of each song, including “Silent Spot,” “Between Earth and Heaven,” and “Fragment pour le future de l’homme.”

30.    Joe Bonamassa, “Driving Towards the Daylight”
Joe Bonamassa is one of the best guitarists to ever record an album, and he’s a good vocalist too.  If you don’t believe me, you can ask people like Eric Clapton, Gregg Allman, and Rick Derringer, who have all played with him and marvel at his skills.  On this, his tenth studio album, the 35-year-old Bonamassa continues to wow anyone who listens to songs like “Dislocated Boy,” “A Place in My Heart,” and “Too Much Ain’t Enough Love.”

29.    The Magnetic Fields, “Love at the Bottom of the Sea”
Stephin Merritt, the creative force behind the Magnetic Fields, is a musical genius similar to David Byrne, and each of the band’s 11 albums demonstrates that genius.  This is no exception, as demonstrated by songs like “Andrew in Drag,” “Infatuation (With Your Gyration),” and “I Don’t Like Your Tone.”

28.    Alicia Keys “Girl on Fire”
It’s easy to take Alicia Keys for granted.  After all, her debut album, “Songs in A Minor,” was as breathtakingly beautiful as her face.  Now, with her fifth album, Keys (nee Alicia Cook) has released another group of listenable, well-written and well-produced songs including “Brand New Me,” “Girl on Fire,” and “Fire We Make.”

27.    Go Kart Mozart, “On the Hot Dog Streets”
If you’ve know Springsteen’s songs (specifically “Blided By the Light”), you’ll recognize this band’s name.  That’s particularly funny because this band is fronted by a British artist known simply as Lawrence.  This is their third album and it is a series of well-recorded, satirical, post-punk songs that include “Lawrence Takes Over,” “Mickie Made the Most ,” and “White Stilettos In the Sand.”

26.    Ingrid Michaelson, “Human Again”
On her fifth album, Ingrid Michaelson continues to establish herself as one of the best singer-songwriters recording today.  Her lyrics are thoughtful, her tunes are lovely, and her voice is expressive.  Songs include “Fire,” “I’m Through,” and “How We Love.”

25.    The xx, “Coexist”
This is a very talented English band operating at the top of its craft and deserving of the critical acclaim that both of its albums have received.  Their songs are steeped in mood and ambience that tend to transpose you to another place.  If you haven’t heard them, do yourself a favor and buy songs like “Angels,” “Chained,” and “Sunset.”

24.    Dr. John, “Locked Down”
At 73, Malcolm John "Mac" Rebennack, Jr. (aka Dr. John) may have released his best and most personal album ever, and one that is definitely worth listening to.  It’s great to hear this master, New Orleans bluesman perform songs as well-written as “Locked Down,” “Revolution,” and “My Children, My Angels.”

23.    Cat Power, “Sun”
Atlanta-based Chan Marshall (who performs as Cat Power) is well-known for the uniquely moody approach she has taken throughout her nine previous albums.  That’s what makes this album such a major and welcome departure.  I wouldn’t call these dance tunes, but you could certainly dance to them, and that’s very unusual with regard to her music.  Songs include “Cherokee,” “Manhattan,” and “Silent Machine.”

22.    Frank Ocean, “Channel ORANGE”
Some of the songs on this, Ocean’s second album are outstanding, while others seem to benefit too much from Auto-Tune technology.  It’s too early to say if this New Orleans-based soul singer-songwriter will reach his full potential or fade into the woodwork, but he shows considerable promise in a genre that cries out for new stars.  Songs include “Thinkin Bout You,” “Sweet Life,” and “Forrest Gump.”

21.    Meiko, “The Bright Side”
In the pantheon of American singer-songwriters, Meiko is starting to carve out a niche with her sexily breathy vocals and use of a variety of instruments.  Hailing from Georgia and one quarter Japanese-American (hence the name), she combines styles and syncopations to fill her second album with songs like “Stuck On You,” “Leave the Lights On,” and “Good Looking Loser.”

20.    Bruce Springsteen, “Wrecking Ball”
On his 17th studio album, the boss has conjured up a group of songs with rousing tunes but lyrics that reflect the trials of the working class.  This is one of the best albums of Springsteen’s recent years—one which combines his familiar, gravelly voice with a wide range of instruments including some Irish fiddle.   Songs include “We Take Care of Our Own,” “Death to My Hometown,” “Land of Hope and Dreams,” and “American Land.”

19.    Kat Edmonson, “Way Down Low”
This, her second album, was funded through a Kickstarter campaign, and it shows off the immense talent of this singer-songwriter.  Her clear, quirky voice works beautifully with the offbeat tunes, rhythms, and lyrics that she writes.  If you like acoustic music and haven’t heard Kat Edmonson, I suggest you give this album a listen.

18.    Ladyhawke, “Anxiety”
Phillipa "Pip" Brown is from New Zealand, suffers from Asperger syndrome, and has recorded under the name, Ladyhawke since leaving the band Two Lane Blacktop.  Her style is straight-ahead rock, seemingly descended from the likes of Pat Benatar and Joan Jett.  Like those musicians, Ladyhawke makes excellent music that deserves to be heard.  Songs include “Girl Like Me,” “Black White & Blue,” and “Cellophane.”

17.    Regina Spektor, “What We Saw from the Cheap Seats”
This sixth album by the Moscow-born, New York resident may not be so groundbreaking as her earlier work, but how many times can one person break new ground?  Personally, I love her witty, intelligent songs and these are no exception, including “Don't Leave Me (Ne me quitte pas),” “How,” “All the Rowboats,” and “The Party.”

16.    Green Day, “¡Uno!” “¡Dos!” and “¡Tré!”
This is actually three albums that Green Day released in 2012.  In doing so, they went away from the “rock opera” approach of the last few albums while still putting together a worthy set of songs that includes “Let Yourself Go,” “Stray Heart,” and “The Forgotten.”  Even if the songs weren’t as good as they are, the band deserves recognition for being so ambitious in this age of seemingly lazy musicians.

15.    Matt & Kim, “Lightning”
Matt Johnson (vocals/keyboards) and Kim Schifino (drums) from Brooklyn have recorded four albums, but this is by far their best.  Their voices are clear, their harmonies are superb, and their songs have an infectiousness that is missing from most modern pop music.  Sings include “Let’s Go,” “It’s Alright,” and “Tonight.”

14.    P!nk, “The Truth About Love”
I just love listening to P!nk.  That’s the recording name of Alecia Beth Moore of Doylestown, PA.  Six albums into her career, she continues to combine great music with intelligent lyrics that challenge her listeners to be the best they can be.  She is consistently one of America’s best recording artists, and that consistency is reflected in songs like “Blow Me (One Last Kiss),” “Try,” and “Just Give Me a Reason.”

13.    Dirty Projectors, “Swing Lo Magellan”
It’s surprising to think that Dirty Projectors has already released seven albums, none more powerful than 2009’s “Bitte Orca,” but this is a worthy follow-up to that effort.  Their inventive music and harmonious vocals combine perfectly with their unique production techniques to create a style all their own.   Songs include “Gun Has No Trigger,” “Swing Lo Magellan,” and “The Socialites.”

12.    Jimmy Cliff, “Rebirth”
Seeing and hearing Jimmy Cliff in the 1972 film “The Harder They Come” was a revelation that introduced most of the world to Reggae music and catapulted Cliff into stardom.  40 years later, Cliff released this album, appropriately called “Rebirth,” and showed us that he’s still at the top of his game.  Songs include “One More,” “Reggae Music,” and the Clash classic, “Guns of Brixton.”

11.    Of Monsters and Men, “My Head Is An Animal”
This debut album from an Icelandic indie band is one of the year’s most infectious set of songs, combining pop tunes and vocals with music that draws you in and continues to build to its rollicking conclusion.  This is the kind of album that makes me remember while I like music so much.  Songs include “Mountain Sound,” “Love Love Love,” and the international sensation known as “Little Talks.”

10.    Rebecca Ferguson, “Heaven”
The runner-up in the 2010 season of the British “X Factor” competition, Ferguson’s first album demonstrates the clarity and elegance that occasionally distinguishes British soul music.  In doing so, the Liverpool native displays both power and subtlety in a way that shows what’s often missing from the overproduced music that passes for R&B these days.  Songs include “Fairytale (Let Me Live My Life This Way),” “Teach Me How to Be Loved,” and “Nothing’s Real But Love.”

9.      Jack White, “Blunderbuss”
Jack White continues to build on his already expansive career.  Through his work with the White Stripes, the Raconteurs, and the Dead Weather, as well as his many side projects, he has already established himself as the modern poet laureate of rock.  This is technically his first complete solo album and it shows an artist that continues to grow and experiment with new styles, usually with great success.  Songs include “Missing Pieces,” “I’m Shakin’,” “I Guess I Should Go to Sleep,” and “Love Interruption.”

8.      Fun, “Some Nights”
For years, I’ve been raving about a band called the Format.  So when Nate Ruess of that band broke off and founded Fun with with Andrew Dost of Anathallo and Jack Antonoff of Steel Train, I had great hopes.  But I never expected the immense popularity and commercial success that Fun has achieved.  Of course, there are good reasons for that success, including “Some Nights,” “We Are Young,” and “Why Am I the One.”

7.      Elizaveta, “Beatrix Runs”
Elizaveta Igorevna Khripounova was raised in New York and Moscow.  Her three, full-length, studio albums combine her operatic voice, outstanding songwriting skills, and avant-garde arrangements into a wonderfully unique sound.  This, her third album, includes “Meant,” “Armies of Your Heart,” and “Goodbye Song.”

6.      The Wombats, “The Wombats Proudly Present... This Modern Glitch”
This band is comprised of two Liverpudlians and one Norwegian, and together, they have recorded two albums of inventive, state-of-the-art music that combines interesting melodies, enjoyable lyrics, and hard-driving rock rhythms.  If I didn’t know better, I’d have trouble placing their sound in a particular decade, but the lyrics give them away in songs like “Our Perfect Disease,” “Jump Into the Fog,” and “1996.”

5.      Emeli Sandé, “Our Version of Events”
A songwriter from Scotland whose songs have been recorded by a number of well-known artists, the very talented, 25-year-old Emeli Sandé released her own album in 2012, and what a beauty it is.  It’s hard to classify her music, which draws on R&B, disco, pop, and rock, but whatever you call her, it’s clear from songs like “Heaven,” “Next to Me,” and “River” that she’s one of the most talented young artists on the scene today.

4.      Alex Clare, “The Lateness of the Hour”
With a voice that combines rock and blues and an edgy songwriting style, London-based Alex Clare shows on his first album why he is the real thing.  Each song on this collection demonstrates a style that is simultaneously timeless and immediate…almost like Adele in a man’s body.  Check out songs like “Treading Water,” “Too Close,” and “Caroline.”

3.      Two Door Cinema Club, “Beacon”
Hailing from Northern Ireland, Two Door Cinema Club released its second album this year, and what a beauty it is.  An outstanding example of modern rock at its best, this album has it all—driving drums and bass, clear and emotive vocals, hummable tunes with great changes, and the great production of Jacknife Lee, who has also worked with U2, R.E.M., and Snow Patrol.  Songs include “Next Year,” “Sun,” “Sleep Alone,” and “The World Is Watching.”

2.      Alabama Shakes, “Boys and Girls”
This band’s debut album shows off the incredible talents of lead singer/guitarist Brittany Howard, who may be the best female blues-rock vocalist since Janis Joplin.  Her level of commitment to each song rivals that of Joplin and the rest of the band is better than Big Brother & the Holding Company ever were.  Every time I listen to songs like “Hold On,” “You Ain’t Alone,” or “Be Mine,” I find additional nuances in Howard’s remarkable voice.  Don’t miss this album.

1.      Leonard Cohen, “Old Ideas”
You might say that Leonard Cohen was a late bloomer; he was already 33 when his first album, the classic “Songs of Leonard Cohen,” was released.  And you can’t really call him prolific, having released only 11 studio albums in the 44 years since then.  But he has always been brilliant—testing the boundaries of songwriting in ways that few others have dared to try.  As his voice has aged, his singing has gained a depth that was not always apparent in his earlier work.  So it was not a complete surprise that at 77, he would release such a masterpiece, but these ten songs say more about life and love than most poets convey in a lifetime.  That’s why “Old Ideas” is 2012’s best album.

The following are all excellent albums that deserve Honorable Mention (alphabetically by artist):

  • Andrew Bird, “Break It Yourself”
  • Ani DiFranco, “Which Side Are You On?”
  • B.o.B., “Strange Clouds”
  • Ben Kweller, “Go Fly a Kite”
  • Benjamin Gibbard, “Former Lives”
  • Bloc Party, “Four”
  • Bob Dylan, “Tempest”
  • Brad, “United We Stand”
  • The Cribs, “In the Belly of the Brazen Bull”
  • Dar Williams, “In the Time of Gods”
  • Edward Sharpe & the Magnetic Zeros, “Here”
  • Father John Misty, “Fear Fun”
  • The Gaslight Anthem, “Handwritten”
  • Gossip, “A Joyful Noise”
  • Grimes, “Visions”
  • Jason Mraz, “Love Is a Four Letter Word”
  • Jesse Thomas, “War Dancer”
  • John Mayer, “Born and Raised”
  • Judith Owen, “Some Kind of Comfort”
  • The Killers, “Battle Born”
  • Lacuna Coil, “Dark Adrenaline”
  • The Mars Volta, “Noctourniquet”
  • Melanie Fiona, “The MF Life”
  • Michael Kiwanuka, “Home Again”
  • My Darkest Days, “Sick and Twisted Affair”
  • Nneka, “Soul is Heavy”
  • Norah Jones, “Little Broken Hearts”
  • Scissor Sisters, “Magic Hour”
  • Shinedown, “Amaryllis”
  • Sleigh Bells, “Reign of Terror”
  • Snow Patrol, “Fallen Empires”
  • The Vaccines, “Come of Age”
  • White Rabbits, “Milk Famous”

Friday, March 1, 2013

Ending the Sequester

I've been following the sequester issue and discussing it with some of my Republican friends.  I don't have access to the data that are available to Washington insiders, but here is my lay-person's assessment of the situation:
  • The Sequester was originally agreed upon by both parties in 2011 as a way of forcing them to take action regarding the deficit by today.
  • According to the Congressional Budget Office, here's how the whole thing nets out with regard to 2013 budget cuts:
    • Defense cuts: $42.7 billion
    • Medicare cuts: $9.9 billion
    • Cuts to other domestic programs: $32.7 billion
  • Other programs, such as Social Security, cannot be cut without additional legislation being enacted.
  • If, for some reason, the sequester were to continue, it would mandate $109 billion in cuts per year for the next nine years.
When I listen to many Republicans, they ask, "Why is it so hard to cut 3% waste from the national budget this year?  If Obama viewed his job like the CEO of a company, he should be able to do that."  This argument contains massive issues, such as:
  • The national budget has very little in common with that of a corporation, in that many programs (such as Social Security) cannot be cut at all without legislation, which may take months or years to enact.  If you eliminate the items that cannot be cut, it means you are asking the president to cut 6-7% of expenditures, primarily to defense and domestic programs.
  • Republicans reject most defense cuts, so the majority of the cuts they are asking the president to make are to domestic programs such as education, immigration reform (on which the Republicans insist), housing, health, and public safety (including airport security).
  • "Waste" is often synonymous with "employees," meaning that the Republicans would suggest putting hundreds of thousands of people out of their jobs in the fields I listed above.  This would not only hurt the economy, but affect the well-being of many in our society who need the most help.
The president has already said he is willing to cut 1-2% from many of these programs, but he is asking for additional tax revenue as well.  The Republicans view this as "raising taxes," to which they are staunchly (and somewhat understandably) opposed.  However, most of the president's revenue requests are not about "raising taxes."  Rather, they only eliminate the tax cuts for the very wealthy that were enacted during the Bush administration.  Elimination of these tax breaks, and other loopholes that enable wealthy citizens to skirt their tax obligations, would account for most of the additional revenue the president is requesting.

Republicans claim that such moves would hurt the economy, but from what I understand, dropping the Bush-era tax cuts would merely return the country to the tax levels that existed during the Clinton administration.  I don't remember too many people complaining about the economy during that time, and let's not forget that Clinton left office with a balanced budget (in fact, there was a budget surplus).

I just watched President Obama's news conference in which he asked for compromise on this issue; he is willing to cut some money from social programs and even open the dialogue around Social Security reform, if the Republicans are willing to reduce or eliminate the Bush-era tax cuts and eliminate some loopholes that benefit the wealthy.   THIS IS NOT RAISING TAXES.

I, as one small voice, ask congressional leaders to put the needs of the country, and of the people it serves, ahead of the interests of their wealthy donors.  Why?  I know this sounds corny (all hail Frank Capra) but they should do it because it's the right thing to do.

Tuesday, February 26, 2013

Ted's Oscar Rant

I've been something of a fan of Seth MacFarlane's show, "Family Guy" for years, so I was hopeful when he was picked to host the Oscars.  However, that hope turned to grim shock the other night when I heard MacFarlane's movie character, "Ted," use what should have been a light, comic moment to rale against the perceived power of Jews in Hollywood.

Perhaps MacFarlane has been slighted by Jewish producers over the years, but this was neither the time nor the place to vent those feelings.  Aside from the fact that the bit wasn't funny (no one in the audience laughed), it was potentially damaging to Jews worldwide.  The Oscars telecast is watched in every part of the world, and that five-minute bit only helped to reinforce negative stereotypes of Jews while providing fodder for anti-Semitic thought.

I have always watched the Academy Awards, but if MacFarlane hosts again, I will likely pass.

Sunday, February 17, 2013

Reid's Oscar Preview

Every year, the Boston Globe critics preview the Academy Awards, using 4 categories:  “Will Win,” “Should Win,” “Shouldn’t Be Here,” and “Was Robbed.”  They follow each with a paragraph about the races.

While I often disagree with their selections, I like the format, so I will use it this year to preview eight categories of the 2013 Academy Awards (movies from 2012).

Best Picture

Will Win: “Lincoln”
Should Win: “Lincoln”
Shouldn’t Be Here: “Django Unchained”
Was Robbed:  “Moonrise Kingdom”

Everyone keeps saying that “Argo” will win, but that was a predictable, Hollywood movie.  It was a good movie, but it didn’t move me the way “Lincoln” did, so I’m hoping that enough Academy voters were also moved to vote for “Lincoln.”  As far as “Django Unchained” is concerned, the first hour was brilliant, but then it dissolved into stupid, needless violence without any redeeming value, so I’m surprised the Academy has loved it so much.  Moonrise Kingdom is a gem that was hurt by being released so early in the year.
 

Best Actor

Will Win: Daniel Day Lewis
Should Win: Daniel Day Lewis
Shouldn’t Be Here: none
Was Robbed:  Joseph Gordon-Levitt in “Looper” and John Hawkes in “The Sessions”

Daniel Day Lewis is one of the best living screen actors.  The craft he brings to each role is flawless and inspirational, and “Lincoln” was no exception.  One example is that all historical reports of Abraham Lincoln say that he had a higher voice, despite most movie portrayals of him.  As we all know from “There Will Be Blood,” Lewis’s voice tends to be lower, but for “Lincoln,” he actually raised it an octave just to be genuine.  That level of commitment is rare in modern acting, and it’s just one example of what makes this performance so compelling.  While all five actors deserve to be in the category, I wish there was room for more nominees, so the Academy could recognize Joseph Gordon-Levitt’s outstanding performance in “Looper” and John Hawkes’s excellent work in “The Sessions.”
 

Best Actress

Will Win: Jennifer Lawrence
Should Win: Jennifer Lawrence
Shouldn’t Be Here: none
Was Robbed:  none

The five actresses selected were the right five, and Jennifer Lawrence, at 22 years of age, delivered a tour de force as a young woman battling a myriad of psychological issues in what was the year’s most surprising movie—“Silver Linings Playbook.”
 

Best Director

Will Win: Steven Spielberg for “Lincoln”
Should Win: Steven Spielberg for “Lincoln”
Shouldn’t Be Here: Ang Lee for “Life of Pi”
Was Robbed:  Andy and Lana Wachowski for “Cloud Atlas”

Movies don’t direct themselves, so I find it very surprising when the Best Picture winner does not also win Best Director, but it happens often.  I believe that the Academy will do the right thing and award Spielberg his third Oscar in this category.  Ang Lee’s film, “Life of Pi,” should win a number of technical awards, but he should not be in this category.   Finally, the Wachowskis deserve credit for financing, producing, writing, and directing the year’s most ambitious movie, “Cloud Atlas.”

 

Best Supporting Actor

Will Win: Christoph Waltz
Should Win: Tommy Lee Jones
Shouldn’t Be Here: none
Was Robbed:  William H. Macy for "The Sessions"

Once again, the Academy nominated five very good performances, and this is the toughest category to pick, because all of the performances were, in some way, Oscar-worthy.  Most people are predicting that DeNiro will win for his outstanding performance in “Silver Linings Playbook,”  but I believe that Christoph Waltz will win for being the best thing about “Django Unchained.”  And while Tommy Lee Jones’s performance in “Lincoln” was flawless, his well-documented snarling at the Golden Globes probably cost him any chance at the Oscar.  However, I would not be upset if any of those men took home this award.  This is another category in which I wish there were six nominees, because I loved the performance of William H. Macy as the priest in "The Sessions."

 

Best Supporting Actress

Will Win: Anne Hathaway
Should Win: Anne Hathaway
Shouldn’t Be Here: Jacki Weaver
Was Robbed:  Xun Zhou

If you saw “Les Miserables” and you were not moved by Anne Hathaway’s performance, you should stop going to the movies.  Hathaway has been on the cusp of greatness for the past few years, and achieved it with this role.  And while Jacki Weaver is an outstanding actress (I loved her in “Animal Kingdom”), she did not do enough in Silver Linings Playbook to warrant this nomination.  A better choice would have been China’s best young actress, Xun Zhou, who was outstanding as Yoona-939 in a futuristic sequence in “Cloud Atlas.”

 

Best Adapted Screenplay

Will Win: Tony Kushner for “Lincoln”
Should Win: Tony Kushner for “Lincoln”
Shouldn’t Be Here: David Magee for “Life of Pi”
Was Robbed:  Ben Lewin for "The Sessions" and Simon Beaufoy for “Salmon Fishing in the Yemen”

One of the great, modern American playwrights, Tony Kushner developed an amazingly inspirational script for “Lincoln,” and he deserves to be recognized for it.  Not so for David Magee and “Life of Pi.” However, Simon Beaufoy deserves a nod for his delightful adaptation of “Salmon Fishing in the Yemen,” based on the book by Paul Torday, as does Ben Lewin for his brilliant screenplay for "The Sessions," based on an article by Mark O'Brien.

 

Best Original Screenplay

Will Win: Quentin Tarantino for “Django Unchained”
Should Win: Wes Anderson and Roman Coppola for “Moonrise Kingdom”
Shouldn’t Be Here: John Gaines for “Flight”
Was Robbed:  Joss Weedon and Drew Goddard for “Cabin in the Woods”

If the award were for Most Words or Most Use of the “N” Word, then Tarantino would be the clear-cut winner, but although his screenplay was at times delightful, it did not match the quirky brilliance of “Moonrise Kingdom.”  Overall, I believe that Gaines (“Flight”) doesn’t belong in this category, but Weedon and Goddard do for creating one of the most inventive and original horror films of all time—“Cabin in the Woods.”