Tuesday, January 21, 2020

Best Movies of 2019

The Best Movies of 2019
by Reid Fishman


There were no great movies in 2019, but there were a lot of good ones, including some really good ones.  And although the award shows like to focus on a select few, showering them with accolades that are usually driven by profits and politics to which most of us are not privy, the truth is that there are many “smaller” films that might make you laugh, smile, cry, or just think.  With that said, here are a few caveats regarding my movie preferences:
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  • My favorite movies have both a good plot and well-developed characters.
  • I don’t like movies about nasty people doing awful things to each other.
  • I also don’t like “descent into madness” movies, although the actors tend to garner praise for those roles.
  • I enjoy movies that either entertain me and/or in some way uplift me.
  • I don’t watch a lot of animated films, although occasionally, one might make the list.
  • I don’t include documentaries on my list—it’s like comparing apples to oranges.
  • I tend to like films where the script is fresh and interesting.
  • I’m not invited to free movie screenings, nor do I get to meet the casts or directors.
  • I am not a film "critic," and as such, I don’t write negative reviews.  I respect most filmmakers for trying to produce their art, so if a well-known or well-regarded film is not listed above or below, it’s quite possible that I saw it but did not like it enough to recommend it.


I also don’t list movies I didn’t enjoy.  This year, that includes “Marriage Story” (mundane), “Joker” (nasty, not entertaining), and “Judy” (see above comment regarding descent into madness).  Each of these movies contained superb acting performances, and while I applaud those performances, I can’t in good conscience include the movies in my list.

So, with that, below is my list of the Best Movies of 2019, in inverse order.  Also, at the end, I’ll provide a few awards that you won’t see at the Oscars.

39.     “Plus One”

Written and directed by Jeff Chan and Andrew Rhymer, this is for the romantic comedy fan in each of us.  The film is about two friends, played by Maya Erskine and Jack Quaid (son of Meg Ryan and Dennis Quaid) who are single and each invited to many weddings.  Not wanting to always be seated at the “singles table,” they concoct a plan to serve as each other’s “plus one” (hence the title).  The film is occasionally sexy, sometimes silly, but mostly, just fun.


38.     “Dark Waters”

Written by Mario Correa and Matthew Michael Carnahan, from an article by Nathaniel Rich, this Todd Haynes-directed movie tells the true story of the 15-year struggle of the residents of Parkersburg, West Virginia to hold Dupont accountable for polluting the water and causing countless health issues.  Mark Ruffalo plays the lawyer representing them, and the movie features excellent supporting performances by Anne Hathaway, Tim Robbins, Bill Pullman, and Bill Camp.  While overly somber, this is a story worth telling and a movie worth seeing.

37.     “Yesterday”

Given that this movie was written by Richard Curtis and Jack Barth, and directed by Danny Boyle, it should have been better than it is, but it is intriguing and generally entertaining, which is why I included it.  The plot focuses on a worldwide glitch in time, after which certain people and events are wiped from the collective mindset, most important of such is the existence of The Beatles.  However, the lead character, a struggling musician played by Himash Patel, remembers them and their songs.  He starts singing them publicly and soon becomes an international sensation, praised by the likes of Ed Sheeran (who plays himself).  His manager, who yearns for his affections, is played by Lily James, who is always fun to watch.  Although somewhat meandering, this is a good movie and a “must see” for diehard Beatles fans.

36.     “Where’d You Go, Bernadette”

Directed by Richard Linklater and written by Linklater, Holly Gent, and Vincent Palmo, Jr., this oddly entertaining movie stars Cate Blanchett as a formerly well-known architect who is becoming increasing dissatisfied with her life and eventually disappears.  Her husband (played by Billy Crudup) and daughter (played by Emma Nelson) begin searching for her, as she tries to re-find herself.  With a supporting cast that includes Kristen Wiig, Megan Mullally, David Paymer, Lawrence Fishburne, and Steve Zahn, this is a quirky but captivating movie with some beautiful cinematography.

35.     “Charlie's Angels”

Written by, directed by, and co-starring Elizabeth Banks, this is a fresh take on an old franchise.  The cool thing about this movie is the emphasis on strong women, while not trying to make the women seem like men.  The enjoyable script enables the actresses to shine, including Kristen Stewart, Naomi Scott, and Ella Balinska.  This is just a good way to stay in and have fun watching a modern take on a previously dated story.


34.     “Last Christmas”

This is a romantic comedy with a twist, but I can't tell you what that is without ruining the movie.  Directed by Paul Feig from a screenplay by Bryony Kimmings and Emma Thompson (who also has an unusual supporting role), it tells the story of a woman (played by Emilia Clarke) who works as a Christmas elf and, through a series of seemingly chance encounters, meets a man, played by Henry Golding.  The performances are terrific and the screenplay is interesting.  What's also fun is the soundtrack, which includes several songs by George Michael, including the title song.

33.     “Ad Astra”

James Gray directed and co-wrote (with Ethan Gross) this film about an astronaut (played by Brad Pitt) who is sent into space to find out why some pulses, that are negatively affecting the universe, are emanating from a space station that had been manned by his father (played by Tommy Lee Jones).  The story is interesting, and the visuals are often riveting, even if the pacing is slow.  One of the best performances in this movie is turned in by Ruth Negga as a Mars station commander struggling with a past that overlaps that of Pitt’s character.

32.     “Anna”

This Luc Besson film features an outstanding lead performance by Sasha Luss as a troubled woman who gets recruited as a model and an assassin.  The movie takes you through several twists and turns leading to a very satisfactory ending.  Excellent supporting performances were provided by Helen Mirren, Luke Evans, and Cillian Murphy.  It's definitely a violent, action film, but also an interesting spy caper.

31.     “Hustlers”

This is the most ambitious undertaking yet from up-and-coming director Lorene Scafaria, and it tells the story of a group of strippers who carry out a scheme to defraud their “clients.”  Written by Scafaria from a magazine article by Jessica Pressler, this film features excellent performances, especially by Jennifer Lopez, Constance Wu, and Julia Stiles, as the reporter.  This film reaffirms that when J-Lo sheds her tabloid persona and decides to act, she can be really good at it.

30.     “Spider-Man: Far From Home”

Superhero movies have become a major part of American pop culture, and this is the first of several such movies listed here.  Directed by Jon Watts and written by Chris McKenna and Erik Sommers, this is a thoroughly enjoyable action film in the new Spider-Man franchise.  Starring Tom Holland, with excellent support from Zendaya, Jake Gyllenhaal, Samuel L. Jackson, Marisa Tomei,  and John Favreau, most of the action is set in Europe, while maintaining the hero’s small-town feel.  This has an interesting plot without being overly convoluted, and as a result, it’s quite entertaining.

29.     “The Report”

This is a political drama written and directed by Scott Z. Burns.  It tells the true-life story of Daniel Jones (played by Adam Driver), who is hired by a senate committee headed by Diane Feinstein (played by Annette Bening) to research and prepare a report about the torture techniques engaged in by the US Government after 9/11.  Although at times overly procedural, it effectively sheds a light on a dark stain in recent US history.

28.     “Shazam!”

In another take on a classic comic book character, Zachary Levi plays a young boy, living in foster care, who is zapped into the form of an adult with super powers.  Directed by David F. Sandberg from a script by Henry Gayden, the fun of this film is that although his body is fully grown and powerful, the lead character still has the mind of a child, and the movie uses that to its full comical and action-oriented potential.

27.     “The Aeronauts”

In a modified version of the true story of meteorologist James Glaisher on one of his historic balloon flights, Eddie Redmayne plays Glaisher, and for the movie, the balloon is piloted by a character played by Felicity Jones (the actual balloon pilot was Henry Coxwell).  Set in 1860s England, the goal of the flight is to go higher than any person had ever gone, in order to learn more about clouds and weather.  The two leads continue the excellent chemistry they displayed in “The Theory of Everything” in this film, directed by Tom Harper from a script by Harper and Jack Thorne.  The other star is the marvelous cinematography, which is as delightful as the interesting story.

26.     “Captain Marvel”

Written and directed by Anna Boden and Ryan Fleck, and co-written by Geneva Robinson-Dworet, this story features a more modern female superhero than Wonder Woman involved in an intergalactic war between alien species.  Brie Larson shines in the lead role, with supporting performances by Ben Mendelsohn, Samuel L. Jackson, Jude Law, Annette Bening, and Djimon Hounsou.  While not a perfect movie, it is a very entertaining action romp.

25.     “Long Shot”

Directed by Jonathan Levine from a screenplay by Dan Sterling and Liz Hannah, this film revolves around a recently fired, highly principled, stoned-out journalist (played by Seth Rogen) in an unconventional romantic relationship with his former babysitter (played by Charlize Theron) who is running for president.  The script is funny and a bit outrageous, as is the chemistry between the two actors, which leads to a surprisingly entertaining movie.

24.     “Ford v. Ferrari”

Directed by James Mangold from a screenplayby Jez Butterworth, John Henry Butterworth, and Jason Keller, this movie tells the story of Henry Ford II's quest to embarrass Enzo Ferrari by beating his race team at Le Mans.  With excellent performances by Matt Damon, Christian Bale, Jon Bernthal, and Caitriona Balfe, it features well-developed characters, an interesting story that is not exactly complimentary of Ford corporate executives.

23.     “Queen & Slim”

Director Melina Matsoukas and screenwriter Lena Waithe have put together an interesting story of fugitives on the run.  However, unlike other such movies, the criminals, played expertly by Daniel Kaluuya and Jodie Turner Smith, are sympathetic characters who have only killed one person.  Unfortunately for them, that person was a police officer, and although the shooting was justifiable, based on a racist traffic stop, it launches a nationwide hunt for the lead characters.  This is a surprisingly tender movie, given the subject matter, and one definitely worth seeing.

22.     “The Farewell”

This film is set mostly in China and stars Awkwafina (who was amazing as the best friend in “Crazy Rich Asians”) as a young woman who learns that her beloved grandmother (played by Shuzhen Zhao) is very sick, but hasn’t been told of the severity of her illness.  The family, living in New York and Japan, return home together so they can say farewell to the matriarch, under the guise of returning for a wedding.  Written and directed by Lulu Wang, this is a poignant, and uplifting story about family and the merger of different cultures.  See it on a big screen, because the subtitles are kind of small.

21.     “Late Night”

Mindy Kaling wrote an excellent screenplay about a self-righteous, overbearing talk show host (played by Emma Thompson) who hires a female writer (played by Kaling) in an attempt to save her flagging ratings.  Directed by Nisha Ganatra and with excellent support from John Lithgow and Max Casella, this is a look at the inner workings of late night TV and the difficulty of merging public and private lives, while still managing a few laughs.

20.     “The Lighthouse”

This is a claustrophobic movie about two lighthouse keepers, played by Willem Dafoe and Robert Pattinson, confined to the “rock” on which the lighthouse and the residence stand in the 1890s.  Written by Robert and Max Eggers, and directed by Robert Eggers, it is an intense, psychological movie with amazing black and white cinematography.  You’ll never look at a lighthouse the same again.

19.     “A Beautiful Day in the Neighborhood”

I was too old to fully appreciate Mr. Rogers Neighborhood, and I thought it was like a sedative for children.  However, seeing Tom Hanks portrayal of Fred Rogers has shed new light on what he did and why he did it.  Written by Micah Fitzerman-Blue and Noah Harpster, and directed inventively by Marielle Heller, it's really about a magazine writer (played by Matthew Rhys) coming to grips with his past and his relationships with the help of Fred Rogers.  With excellent supporting performances by Susan Kelechi Watson, Chris Cooper, and Enrico Colantoni, this is a movie worth seeing. 

18.     “The Upside”

Directed by Neil Burger in 2017 but not released until early in 2019, this movie tells the story of a quadriplegic billionaire (played by Bryon Cranston), his assistant (played by Nicole Kidman), and the man he hires to be his caretaker (played by Kevin Hart).  The screenplay by Jon Hartmere and Eric Toledano, crackles with humor, pathos, and irony, especially in the hands of such a wonderful cast.

17.     “Booksmart”

In her first feature film directorial effort, Olivia Wilde helms this terrific film about two high-achieving teenage girls (played by Kaitlyn Dever and Beanie Feldstein) who are about to graduate high school and realize they haven’t had any fun.  What ensues is a romp through a momentous night that culminates the next morning at the graduation ceremony.  Written by Emily Halpern, Sarah Haskins, Susanna Fogel, and Katie Silberman, this film features supporting efforts from Jessica Williams, Jason Sudeikis, Lisa Kudrow, Will Forte, Victoria Ruesga, Mason Gooding, and Skyler Gisondo.  It explores teen angst, sexuality, and wealth discrepancy, while still managing to have fun.

16.     “Avengers: Endgame”

The year’s best superhero movie, this features many of the characters in the Marvel universe and the actors who have played them in the movies.  While being one of the most epic Marvel movies, it’s also one of the most personal, in which several well-known characters are killed off.  Directed by Anthony and Joe Russo from a screenplay by Christopher Markus and Sean McFeeley, the cast is like a Hollywood who’s who, all combining their efforts to create a wonderful adventure.

15.     “The Two Popes”

It’s always amazing to watch two brilliant, experienced actors playing off each other.  In this case, it’s Anthony Hopkins and Jonathan Pryce as the last two popes—Benedict and Francis—in discussions with each other about their history and views, in a relationship which began as oppositional but evolved into mutual respect.   Written by Anthony McCarten and directed by Francisco Meirelles, this film traces the history of the Catholic Church from the 1960s to the present and tackles difficult issues such as sexual abuse and the church’s failure to stand up to dictators.

14.     “Good Boys”

Directed by Gene Stupnitsky from a screenplay by Stupnitsky and Lee Eisenberg, this is a very unusual slice of the lives of three sixth-grade best friends, with very different personalities, who together embark on a journey that will redefine how they view each other and the world.  It is mostly funny, with some very dark moments.  The boys are played by Jacob Tremblay, Keith L. Williams, and Brady Noon.  This is a little movie that will make you smile and occasionally gasp.

13.     “Us”

Last year, writer/director Jordan Peele (formerly of Key and Peele) redefined the horror genre with “Get Out.”  This year, he’s taken the same genre in an entirely different direction with “Us,” a film in which the lead characters are terrorized by their own doppelgangers while learning about their own faults and dark sides.  Lupita Nyong’o is outstanding in the lead role, and is supported by Winston Duke, Elisabeth Moss, Tim Heidecker, Shahadi Wright Joseph, and Evan Alex.  It is a terror-filled, reality-bending experience.

12.     “The Irishman”

While this Martin Scorsese film occasionally feels like “Oldfellas,” it is still an excellently acted, well-written slice of the history of the intersection between the mob and organized labor.  Written by Steve Zaillian from a book by Charles Brandt, it is set mostly in Philadelphia and features a lot of the mafia names we all knew during their heydays and subsequent demises.  It also traces the rise and fall of Jimmy Hoffa and even illustrates a theory about his death.  If nothing else, it’s nice to see Robert DeNiro, Al Pacino, Joe Pesci, and Harvey Keitel in what is likely their last mob movie together.

11.     “Knives Out”

This is a very clever movie, written and directed by Rian Johnson that harkens back to the best murder mysteries of days gone by.  The excellent cast includes Daniel Craig, Ana de Armas, Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, and Christopher Plummer, and every time you think you’ve got it figured out, something happens to change your thinking.  This is what going to the movies used to be like, and it’s nice to revisit that feeling in a high-quality production.

10.       “Bombshell”

We all read about Roger Ailes, his gross sexual misconduct, and his eventual ouster as head of Fox News, but in this movie, written by Charles Randolph and directed by Jay Roach, it is portrayed brilliantly by a cast that includes Charlize Theron, Nicole Kidman, Margo Robbie, and John Lithgow (as Ailes), supported by Allison Janney, Malcolm McDowell, Kate McKinnon, and Connie Britton.  You leave the theater feeling simultaneously enlightened, dirty, and ashamed that this could have happened (literally) right under our noses.

9.       “Blinded By the Light”

At the beginning of these reviews, I mentioned liking movies that entertain and/or uplift me.  Well, this is the true story of a young Pakistani man (played by Viveik Kalra), in 1987 England, who is introduced by a friend to the music of Bruce Springsteen.  Through the lyrics of “the boss,” he is able to break out of his family doldrums and gain the confidence he needs to succeed in a country where he constantly faces persecution.  Directed by Gurinder Chadha from a screenplay by Chadha, Safraz Manzoor, and Paul Mayeda Burges and based on a book by Manzoor, the movie’s direction is inventive, with lyrics flying around the screen while the young man’s growth becomes more evident.  Yes, it was both entertaining and uplifting.

8.       “Jojo Rabbit”

This is a very strange movie that was written, directed, and co-starring Taiki Waititi.  At first, I was put off by a movie about a young man in WWII Germany who idolizes Hitler, until I realized how it represents everything that the Third Reich was against.  It stars Roman Griffin Davis as a 10-year-old boy who befriends a Jewish teenager played by Thomasin McKenzie (whom I cited last year as a young actress with a great future.  It also features great supporting performances by Waikiki, Scarlet Johansson, Sam Rockwell, and Rebel Wilson.  If you can get past the scenes of Nazis and a comical Hitler, this movie is very enjoyable and leaves you wanting more.

7.       “Just Mercy”

Alabama in 1989 was less than hospitable to a black man accused of killing a white girl, but that’s the backdrop for this true movie about Bryan Stevenson (played by Michael B. Jordan) and his founding of the Equal Justice Initiative.  Among the cases he is defending in the movie is the abovementioned case of Walter McMillian (played expertly by Jamie Fox).  The fact that all this took place in the town where To Kill a Mockingbird was written and set is described in the script by Destin Daniel Cretton and Andrew Lanham, and Cretton’s direction is taut and appropriately solemn.  With outstanding supporting performances by Brie Larson and Tim Blake Nelson, this movie and story will stay with you.

6.       “Parasite”

I missed this the first time it hit the theaters because I thought it was a low-budget horror movie.  And while there is certainly some horrific scenes in this film by writer/director Bong Joon Ho, it is really a tangled web of intrigue that intersects three families in a tale of poverty, wealth, greed, and deception.  Kang-ho Song plays the head of a poor, deceptive family inserting itself into the lives and home of a wealthy family, headed by Sun-kyun Lee and Yeo-jeong Jo.  I can’t say much more without a spoiler alert, so I recommend you just see it.

5.       “Once Upon a Time… in Hollywood”

Writer/director Quentin Tarantino has experimented before with movies that bend history toward a different ending.  In this case, the story is loosely based, in part, on the Manson clan and the Tate/LaBianca murders.  But it also tells the tale of what it’s like to live on the edge of stardom, as Leonardo DiCaprio plays a washed-up TV star and Brad Pitt plays his long-time stunt double, in 1969 Los Angeles.  With an eclectic supporting cast that includes Margo Robbie, Emile Hirsch, Margaret Qualley, Bruce Dern, Al Pacino, and the late Luke Perry, this movie features a last hour that will likely win Brad Pitt an Oscar and make you remember it for a long time.

4.       “Harriet”

Although the movie’s authenticity and focus have drawn some criticism, there is no disputing that this is a powerful story about one of America’s greatest civil rights legends—Harriet Tubman—who was a pioneer in freeing slaves via the Underground Railroad.  Directed by Kasi Lemmons and written by Lemmons and Gregory Allen Howard from Howard’s book, this movie features excellent performances by Cynthia Erivo (in the lead role) and Leslie Odom, Jr., and it focuses, in part, on Tubman’s visions and perceived connection to God.  The view of Tubman as an 1800s action hero may be overdone, but her strength, conviction, and inspiration will live on forever, in part, because of this movie.

3.       “Pain and Glory”

The films of Pedro Almodovar are always a joy to behold, and this is clearly the most personal and autobiographical movie from Spain’s greatest writer/director.  Here, the lead character is an aging movie writer/director, played by Antonio Banderas, who is battling pains and ailments, and reconnects with his past as that past reconnects with him.  This is one of those movies I hated to see end, because the storytelling is crisp and each character is well-developed and well-acted by a supporting cast that includes Penelope Cruz, Asier Etxeandia, Leonardo Sbaraglia, and Nora Navas. 

2.       “Little Women”

If you type “Little Women” into the search bar of IMDB.com, the list of movies and TV series based on Louisa May Alcott’s classic will fill up a screen or two.  That’s why, when I first heard about the latest filming of this amazing story, I had my doubts.  Then, I learned it was directed by Greta Gerwig, and my interest was tweaked.  What Gerwig has done is reinvigorated the story by reimagining it, reorganizing it, writing a wonderful screenplay, and casting an excellent, age appropriate cast that includes Saoirse Ronan, Emma Watson, and Florence Pugh, whose work in this film should garner a lot more roles.  Each line is crisp, well-thought-out, well-delivered, and advances the story in a way most earlier versions failed to do.  Alcott’s vision of the March sisters has never been in better hands, and a classic has been reborn.

1.       “1917”

The hero’s journey has been a theme of literature since the first words were recorded, and this movie does that theme proud.  Directed by Sam Mendes and written by Mendes and Krysty Wilson-Cairns, it tells the story of two men who have to cross treacherous terrain and enemy territory to deliver a message that may save 1600 lives, one of whom is the brother of one of the men.  But what Mendes has crafted is not your classic war story, filled with bluster and glory.  Rather, the men encounter substantial negativity from their own colleagues who are tired of war and the whims of the military.  It occurs in World War I, when killing was personal and often involved hand-to-hand combat.  There are also scenes of tenderness amidst strife, as well as the seemingly endless drudgery of making your way across scorched earth and dead, often decomposing, bodies.  The cast includes Lance MacKay, Dean-Charles Chapman, and Daniel Mays, as well as Colin Firth and Benedict Cumberbatch in small, but meaningful roles.  This is an impactful movie that will not be easily forgotten, and as such, is the best movie of 2019.

So, that’s my list today.  It may change tomorrow, so please let me know if there are other movies you feel that belong.

The Reid Awards

And now, for the fourth year, I will present awards based entirely on criteria that only I understand:

·       Breakout Actor of the Year: In the past, this award has gone to Alicia Vikander, Mahershala Ali, Michael Stuhlbarg, and John David Washington.  This year, I’m giving it to Cynthia Erivo, whose work in the lead role of Harriet should earn her many more roles of substance.

·       The Future Meryl Streep Award for Best Young Actress: Last year this award went to Thomasin McKenzie, who justified it with her wonderful performance in this year's Jojo Rabbit.  This year, the award goes to Kaitlyn Dever, one of the stars of Booksmart.  Streep has always been able to convey complex emotions with a subtle glance, and Dever displays the same quality.  Look for her in many interesting roles moving forward.

·       Best Child Actor:  Jacob Trembley was previously amazing in “Room,” and this year, he displayed outstanding range in “Good Boys.”  You’ll be seeing a lot more of this young actor.

·       Most Consistent Director:  If this were a lifetime achievement award, it would go to Pedro Almodovar, whose career is the definition of consistent excellence.  But in terms of young directors, I’ll give it to Greta Gerwig, who has already made “Lady Bird” and “Little Women.”  She shows a knack for telling stories, directing young actors, and promoting strong women’s roles unlike most others in the industry.

·       Best Actor/Producer:  This is a new award honoring an actor who has successfully navigated the role of producer, and it goes to Brad Pitt.  In the last decade alone, the movies he’s produced or co-produced (as the actual Producer, not the titular Executive Producer) include:

o   Kick-Ass
o   The Tree of Life
o   Moneyball
o   World War Z
o   12 Years a Slave
o   By the Sea
o   The Big Short
o   Ad Astra


Thursday, February 21, 2019

The Best Movies of 2018

First, let me say that I believe this is one of the worst years for movies in my lifetime (which is starting to get pretty damned long).  Normally, my lists of the best movies of the year include at least 20 films, but this year, there were only 16 that I can recommend and none that I think are among the best of all time.

If you know me and/or have read my list before, you probably know a few things about my movie preferences:


·         My favorite movies have both a good plot and well-developed characters.
·         I don’t like movies about nasty people doing awful things to each other.
·         I enjoy movies that either entertain me and/or in some way uplift me.
·         I don’t watch a lot of animated films, although occasionally, one might make the list.
·         I don’t include documentaries on my list.
·         I tend to like films where the script is fresh and interesting.
·         I’m not invited to free movie screenings, nor do I get to meet the casts or directors.
·         I am not a film "critic," and as such, I don’t write negative reviews.  I respect most filmmakers for trying to produce their art, so if a well-known or well-regarded film is not listed above or below, it’s quite possible that I saw it but did not like it enough to recommend it.

Normally, I also don’t list movies I didn’t like, but this year there were several highly acclaimed movies that I absolutely hated including “If Beale Street Could Talk" (absurdly slow pacing), “Vice" (snide but not funny), and “Bohemian Rhapsody" (offensive to gay people).  So, with that, below is my list of the Best Movies of 2017, in inverse order.  Also, at the end, I’ll provide a few awards that you won’t see at the Oscars.

16.     “The Favourite”

This goes against my predisposition against movies about nasty people doing awful things to each other, because that’s exactly what this movie is.  However, it is done so well, with such outstanding actors, that I included it anyway.  Directed by Yorgos Lanthimos from a script by Deborah Davis and Tony McNamara, this film shows a portrait of a queen who is unfit to govern (played by Olivia Colman) and her relationship with two women (played by Rachel Weisz and Emma Stone) who vie for her favors and the right to control her.  The acting is superb and the script is sarcastically witty, but the best thing about it is the skewering of British royal society.  One other thing to note is Lanthimos’s repeated use of a “fisheye” lens.  You may or may not like it, but it certainly gives the film a different look.


15.     “First Man”

This is the second collaboration between director Damien Chazelle and lead actor Ryan Gosling (the first being “La La Land”).  This one, written by Josh Singer from a book by James R. Hansen, explores the life of Neil Armstrong from the death of his young daughter to his historic first steps on the moon.  With a supporting cast that includes Claire Foy, Jason Clarke, Kyle Chandler, and Corey Stoll, this film focuses mostly on Armstrong’s character, his inner demons, and what drove him to success.  While the pacing is somewhat slow, it presents an interesting picture of the level of complexity of the man we all saw as a national hero.

14.     “Ready Player One”

Directed by Steven Spielberg and written by Zak Penn and Ernest Cline (from Cline’s book), this is a thoroughly enjoyable action film about finding the keys in a video game that will lead to fame and fortune.  What makes the film even more interesting is that much of it is set inside the video game, using highly advanced animation.  Starring Tye Seridan, Olivia Cooke, Ben Mendelsohn, Simon Pegg, and Mark Rylance, Spielberg again breaks new ground by combining traditional themes, pop-culture references, and cutting edge CGI, to make a fun movie ride.

13.     “Venom”

In this movie, directed by Ruben Fleischer, a reporter is bonded to an alien entity who is here to invade Earth but instead takes a liking to our planet and decides to protect it against his fellow aliens.  What makes this film so enjoyable is the interplay between the reporter (played by Tom Hardy) and the alien who inhabits him.  The script, by Jeff Pinkner, Scott Rosenberg, and Kelly Marcel, based on a Marvel comic character, is funny, inventive, and completely enjoyable.  Supported by Michelle Williams, Riz Ahmed, Woody Harrelson, Jenny Slate, and Reid Scott (which happens to be my first and middle names), Tom Hardy brilliantly alters between bravado and bewilderment.  I hope they make a sequel.

12.     “Game Night”

Directed by John Francis Daly and Jonathan Goldstein, this comedy action film is fun from start to surprising finish.  Starring Jason Bateman, Rachel McAdams, and Kyle Chandler, this movie starts off as a group of friends getting together to play games, but ends up as a romp through the criminal underworld.  Written by Mark Perez, it boasts several twists and turns, and an outstanding comedic performance by Rachel McAdams.  It’s the kind of movie they used to make, and I wish they’d make more like it.

11.     “Mission: Impossible—Fallout”

Hands down, this is the best and most enjoyable of the Mission: Impossible films starring Tom Cruise.  And why shouldn’t it be?  It’s directed by Chistopher McQuarrie (“The Usual Suspects”), and features supporting roles by Henry Cavill, Michelle Monaghan, Rebecca Ferguson, Simon Pegg, Ving Rhames, Alec Baldwin, Alix Bénézech, Angela Bassett, and Wes Bentley.  The script by McQuarrie and Bruce Geller is inventive and full of plot twists.  Sit back and enjoy a fun thrill ride from start to finish.

10.       “Leave No Trace”

You may not have heard of this movie, but it’s a quiet, indie gem directed by Debra Granik (who also gave us “Winter’s Bone), about a father and daughter living under the radar.  Written by Granik and Anne Rosellini, this is a touching portrayal of a man (played by Ben Foster) who doesn’t fit in society, and his loving teenage daughter who does much better in communal surroundings.  It is a little movie that you can’t stop watching, primarily because of the outstanding performance by Thomasin McKenzie as the daughter.

9.       “Spider-Man: Into the Spider-Verse”

Of all the Spider-Man films of the past 20 years, this is probably my favorite.  It tells the story of a boy named Miles Morales who becomes Spider-Man and has to work with counterparts from other dimensions to save the universe.  Oh, and it is animated—directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman.  Written by Rothman and Phil Lord, the characters are voiced by actors including Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Lily Tomlin, Zoe Kravitz, John Mulaney, Nicholas Cage, Liev Schreiber, Kathryn Hahn, and Chris Pine.  The plot is inventive, the script is witty, and the action is non-stop.  What’s not to like?

8.       “Black Panther”

Ryan Coogler makes really good movies, so when I learned he’d be directing this film about a Black superhero, I was very excited.  He did not let me down, directing one of the year’s biggest blockbusters and critical successes.  This film is pure enjoyment and features outstanding acting by Chadwick Boseman in the lead role, with support from Michael B. Jordan, Nupita Nyong’o, Daniel Gurira, Martin Freeman, Sterling K. Brown, Angela Basset, and Forest Whitaker.  Written by Coogler and Joe Robert Cole from the comics of Stan Lee and Jack Kirby, this is a great story in the Marvel universe and a movie that does it justice.

7.       “BlacKkKlansman”

This is director Spike Lee’s best movie in years.  It tells the true story of Ron Stallworth, the first African-American detective in the Colorado Springs Police Department, who decides to infiltrate and expose the Ku Klux Klan.  Played by John David Washington, Stallworth can put on a “White voice” when on the phone, but had to enlist the help of a fellow, Jewish detective (played by Adam Driver) to play the role in person.  Written by Lee, Charlie Wachtel, David Rabinowitz, and Kevin Willmot, the sometimes humorous script would be funnier if it wasn’t true.  This is a really good movie.

6.       “A Star Is Born”

Each of the last four generations has had a version of this film.  My grandparents enjoyed the 1937 original starring Janet Gaynor and Frederick March.  My parents’ 1954 installment featured Judy Garland and James Mason.  I remember the release in 1976 of the version featuring Barbra Streisand and Kris Kristofferson.  My son’s generation has this movie, starring Lady Gaga and Bradley Cooper, who also directed and co-wrote it with Eric Roth and Will Fetters.  The plot is always the same: a younger, female performer is discovered and taken under the wing of an older, established male star, and they fall in love as the woman achieves success while the man’s career falters as he succumbs to addiction.  The songs and the cast differ, but the plot remains.  In this version, Lady Gaga establishes herself as a legitimate screen presence while Bradley Cooper enhances his fine acting resume with an excellent directorial effort.  With supporting roles by Sam Elliott, Andrew Dice Clay, and Anthony Ramos, it is a terrific addition to this historic movie lineage.

5.       “A Quiet Place”

Who knew that John Krasinski would be such a great director?  Maybe his real-life wife, Emily Blunt, who costars with Krasinski in the year’s best horror film.  The plot involves a family trying to survive after the Earth has been overrun by vicious creatures who are blind but hunt via sound.  As such, most of the film is performed in sign language (with subtitles).  Written by Brian Woods, Scott Beck, and Krasinski, this is a harrowingly intense film that keeps you on the edge of your seat from start to finish.  It also features an amazingly deep performance by Millicent Simmonds as the daughter.  If nothing else, it’s interesting to watch Emily Blunt’s character deliver a baby alone and in silence as a creature hovers nearby.

4.       “Crazy Rich Asians”

This is a groundbreaking film in that it is a mainstream movie directed by an Asian director and starring an entirely Asian cast.  Aside from that, it is just plain fun…perhaps the most fun you could have at the movies in 2018.  Directed by Jon M. Chu from a screenplay by Peter Chiarelli and Adele Lim, from the book by Kevin Kwan, it tells the story of a very wealthy, handsome young man from Singapore (played by Henry Golding) who goes to New York and falls in love with a middle class professor (played by Constance Wu) who doesn’t know about his wealth.  When they travel together to a wedding in Singapore, she learns quickly what she has gotten herself into and how she is viewed by his high-society family and friends.  What ensues is a romantic comedy that is actually both romantic and funny.

3.       “Mary Poppins Returns”

Unlike “A Star Is Born,” this is not a remake.  It’s not even really a sequel, because it occurs many years later when Michael Banks (played by Ben Wishaw) has grown up with children of his own.  Unfortunately, his wife has died and he has fallen on hard times, with the bank (where his father had worked) about to foreclose on his home.  That’s when Mary Poppins (played by Emily Blunt) returns to nurture the children.  She happens upon a lamplighter (played by Lin-Manuel Miranda) who remembers Mary from when he was young, and together they lead the children on a fun (sometimes animated) romp, while trying to save the family home.  As a child, I loved the original movie, and a few years ago, I also enjoyed “Saving Mr. Banks,” which focused on the making of that movie and the drama behind the books by P.L. Travers, on which the movie was based.  So, it’s no wonder that I enjoyed this film, directed by Rob Marshall and written by David Magee, John DeLuca, and Marshall.  I also enjoyed the songs by Marc Shaiman and Scott Wittman, and the joyful animation and dance numbers.  With supporting performances by an all-star ensemble including, Emily Mortimer, Julie Walters, Meryl Streep, Colin Firth, Dick Van Dyke, and Angela Lansbury, this is pure movie magic.


2.       “On the Basis of Sex”


Directed by Mimi Leder, this wonderful movie is about the early career of Supreme Court Justice Ruth Bader Ginsburg, focusing specifically on her attempts to guarantee equal justice under the law for women.  When you watch this film, it almost strains credibility to think that our entire justice system during most of the country’s history leading well into the 20th century did not recognize women as equal members of society, and this movie describes that issue in depth, as well as the tremendous efforts it has taken to right this wrong.  Starring Felicity Jones, with excellent support from Armie Hammer and Justin Theroux, and written by Daniel Stiepleman, the movie also shows the tremendous support Ruth received from her husband, Martin Ginsburg.  It is a shame that such a well-made movie did not receive more accolades and nominations, but it should be seen by everyone.


1.       “Green Book”

I remember hearing music by the Don Shirley Trio when I was growing up in the 1960s.  It wasn’t jazz, pop, soul, or classical, so it did not receive a lot of radio play.  It featured a piano virtuoso named Dr. Donald Shirley, and it was intricate and beautiful.  I had forgotten about that music until the release of Green Book, the story of Don Shirley’s tour of the Midwest and deep South to promote his music.  To do so, he hired a driver named Tony (Lip) Vallelonga because of Tony’s ability to deal with “difficult” situations.  This movie features Oscar-worthy performances by Mahershala Ali and Viggo Mortensen as their characters learn about each other and face the obstacles of Shirley’s being Black and gay while performing in the deep South during the Civil Rights era.  Directed by Peter Farelly and written by Farelly, Brian Currie, and Nick Vallelonga (Tony’s son), this is an outstanding movie that delves into issues related to racism and prejudice both in the South and the North, and it traces the transformation of two men who learn from each other.

So, that’s my list today.  It may change tomorrow, so please let me know if there are other movies you feel that belong.

The Reid Awards

And now, for the fourth year, I will present awards based entirely on criteria that only I understand:

·         Breakout Actor of the Year: In the past, this award has gone to Alicia Vikander and Mahershala Ali, and Michael Stuhlbarg.  This year, I’m giving it to John David Washington.  I’ve been watching Mr. Washington for a few years on the TV Series “Ballers,” but in BlacKkKlansman, he brought it to a new level, and I’m looking forward to his next role.

·         The Future Meryl Streep Award for Best Young Actress: Hands down, this year, the award goes to Thomasin McKenzie, who sparkled in “Leave No Trace.”  This is a young woman who can convey a wide range of emotions without saying anything.

·         Best Child Actor:  You can’t think of “A Quiet Place” without recalling the tender pain on the face of Millicent Simmonds, who is actually deaf.  She may be the next Marlee Matlin.

Most Consistent Director:  This new award goes to the person who keeps directing outstanding movies, and I’m giving it to Ryan Coogler, who has directed three full-length movies: Fruitvale Station, Creed, and Black Panther.  Not a bad start to a directing career. 

Monday, February 5, 2018

The Best Movies of 2017

First, let me apologize for the lateness of this list, but between my summer spinal surgery and the resultant amount of work required to get back financially, I’ve had less time than usual to go to the movies.  As such, I have not yet seen several films, including (alphabetically): “All the Money in the World,” “I, Tonya,” “Phantom Thread,” and “1945.”   Any of those movies might still make the list, once I get to see them.

If you know me and/or have read my list before, you probably know a few things about my movie preferences:
·         My favorite movies have both a good plot and well-developed characters.
·         I don’t like movies about nasty people doing awful things to each other.
·         I enjoy movies that either entertain me and/or in some way uplift me.
·         I don’t watch a lot of animated films, although occasionally, one might make the list.
·         I don’t include documentaries on my list.
·         I tend to like films where the script is fresh and interesting.
·         I’m not invited to free movie screenings, nor do I get to meet the casts or directors.
·         I am not a film "critic," and as such, I don’t write negative reviews.  I respect most filmmakers for trying to produce their art, so if a well-known or well-regarded film is not listed above or below, it’s quite possible that I saw it but did not like it enough to recommend it.
So, with that, below is my list of the Best Movies of 2017, in inverse order.  Also, at the end, I’ll provide a few awards that you won’t see at the Oscars.

23.     “Okja”

Co-written and directed by Joon-ho Bong and starring Tilda Swinton, Seo-Hyun Ahn, Paul Dano, Jake Gyllenhaal, and Giancarlo Esposito, this is a cautionary fable about a Korean girl (Ahn) who raises a giant, genetically modified pig and the corporation, headed by Swinton’s character, that wants to take it and others like it to be slaughtered for food, while being battled by an animal rights group headed by Dano’s character.  After watching this touching film, you may have trouble sitting down to a meat-based dinner again.

22.     “Kong, Skull Island”

Directed by Jordan Vogt-Roberts and written by Dan Gilroy, Max Borenstein, and Derek Connolly, from a book by John Gatins, this star-studded film is not another remake of King Kong, but rather an alternative story about the giant ape and the people who visit his island.  Packed with adventure, revenge, and intrigue, it stars Tom Hiddleston, Samuel L. Jackson, Brie Larson, John C. Reilly, and John Goodman, and represents a return to old-style action coupled with the wonders of modern special effects.

21.     “Good Time”

Directors Benny and Josh Safdie revitalized Robert Pattinson’s acting career with this gritty story about a bank robbery that goes awry and the resultant series of misadventures taken by Pattinson’s character.  Written by Ronald Bronstein and Josh Safdie, the film is a roller coaster ride of how one unpleasant circumstance can lead to another.  With excellent supporting performances by Jennifer Jason Lee, Benny Safdie, and Taliah Webster, you keep wondering how much deeper into trouble one man can get.

 

20.     “Girls Trip”

The best way to describe this is a female, African American version of “The Hangover.”  As such, it is much better than it probably deserves to be, thanks to effective direction by Malcolm D. Lee, a screenplay by Kenya Barris and Tracy Oliver, and an outstanding cast that includes Regina Hall, Queen Latifah, Jada Pinkett Smith, and a hilarious performance by Tiffany Haddish.  This is one of those movies that causes you to laugh while simultaneously being surprised you are laughing.  It ends up being the flat-out funniest movie of the year.

19.     “Spiderman: Homecoming”

There were a whole bunch of superhero movies this year, but what makes the latest version of Spiderman so likeable  is its littleness.  Director Jon Watts and a team of screenwriters went out of their way to make the lead, played by Tom Holland, into “your friendly neighborhood” superhero.  Throw in outstanding supporting performances by Michael Keaton, Robert Downey, Jr. (playing Tony Stark again), Marissa Tomei, and Donald Glover, and you have a movie that eschews Marvel’s typical seriousness and, as a result, is sure to bring a smile to your face.

18.     “Guardians of the Galaxy, Vol. 2”

I actually like this movie better than the 2014 original because it seems to follow a more connected story arc while still providing fun-filled, sci-fi, action/adventure.  Written and directed by James Gunn, it features reprised roles by Chris Pratt, Zoe Saldana, Vin Diesel (voice), Bradley Cooper (voice), and Michael Rooker, while adding in a few action actors like Sylvester Stallone and Kurt Russell.  It all adds up to a fun night (or day) at the movies.

17.     “Downsizing”

This film’s advertising people did it a disservice by portraying it as a comedy…it is not.  It is a very odd social satire about curing overpopulation by shrinking people to about 5 inches tall, so they can live at a fraction of the cost, consume a fraction of the food, and produce a fraction of the waste of full-sized people.  However, the lead character, played by Matt Damon, soon learns that shrinking people doesn’t eliminate their problems any more than it ends differences caused by class, income, and social standing.  Directed by Alexander Payne and written by Payne and Jim Taylor, the film also features excellent performances by Christoph Waltz, Hong Chau, and Kristen Wiig.

16.     “It”

The year’s best pure horror film is from a book by Stephen King and a screenplay by Case Palmer, Cary Joji Fukunaga, and Gary Dauberman.  Unlike the ponderous 1990 miniseries which was also based on this book, director Andy Muschietti keeps us on the edge of our seats as a group of generally unpopular and troubled teenagers take on the evil clown, Pennywise, who has been preying on a small Maine town for decades.  If you like horror/suspense and are not too weirded out by evil clowns, you should see this well-constructed film.

15.     “Call Me By Your Name”

There’s no denying the genuine feelings evoked in this film about a 17-year-old, Jewish American (excellently played by Timothee Chalamet), who spends summers in Italy with his parents, and explores his sexuality, first with an Italian girl and then, with a thirtysomething, male research assistant, played by Armie Hammer, that the boy’s father (played by Michael Stuhlbarg) has brought to live with them.  Screenwriter James Ivory and director Luca Gardagnino sensitively explore this second relationship, which blossoms into love in the 1980s, when such relationships were much less open than they might be today.  What stopped me from placing this movie much higher on the list was the pacing, which at times was incredibly slow.  However, that shouldn’t stop you from seeing this excellent film.

14.     “I Don’t Feel at Home in This World Anymore”

Macon Blair wrote and directed this excellent movie about a woman (played by Melanie Linskey) whose home is burglarized, and, after getting no satisfaction through normal, legal channels, attempts to solve the crime herself, with the help of a nerdy neighbor (played by Elijah Wood).  The story spirals out of control, leading to a climactic scene at a rural house and its surrounding woods.  In some ways, this film is an embodiment of the lack of control we sometimes feel over our own lives.

13.     “Logan Lucky”

After making several polished heist films like the Ocean’s series, director Stephen Soderbergh took a left turn with this unpolished heist film starring Channing Tatum, Adam Driver, Daniel Craig, Katie Holmes, Riley Keough, Katherine Waterston, and Seth McFarlane.  The result is a very good film, written by Rebecca Blunt, that examines family dynamics, self-fulfilling curses, and peculiar acts of redemption.  It pleasantly surprises you at many turns and ends up being smarter and more heartwarming than many of Soderbergh’s slicker offerings.

12.     “Wonder Woman”

In a year when many women are finding their voices, I was happy with the artistic and commercial success of this film, directed by a woman (Patty Jenkins) about a strong, female superhero, played excellently by Gal Gadot.  Despite the sexual misconduct accusations against Zack Snyder, who co-wrote the screenplay, I was glad to see so many women of all ages enjoying this excellent film and its outstanding supporting performances by Chris Pine, Robin Wright, Connie Nielsen, and David Thewlis. 

11.     “Detroit”

In 1967, race riots broke out in Detroit, with people looting and pillaging their own neighborhoods.  The police stepped in, but were untrained to work with this kind of situation.  Some officers made things much worse through their own brutality.  This movie, written by Mark Boal and directed by Kathryn Bigelow, tells that story, brilliantly and tensely.  Starring John Boyega, Anthony Mackie, and Algee Smith, it will keep you uncomfortably riveted and leave you with the feeling that we haven’t come so far as we wish we had.

10.     “The Big Sick”

This movie, which begins as a comedy before taking a darker turn, is the true story of the relationship between Kumal Nanjiani and Emily V. Gordon, from a screenplay which they wrote.  Directed by Michael Showalter, it stars Nanjiani and Zoe Kazan (playing Gordon’s role), with excellent supporting performances from Holly Hunter and Ray Romano.  It is funny, touching, and poignant, without becoming Hallmark-channel melodramatic, and it is a wonderful film about family and love.

9.       “Molly’s Game”

This has all the characteristics of an Aaron Sorkin movie, because that’s what it is.  His fast-paced, informative dialogue blends perfectly with the tautness of Jessica Chastain’s acting in a movie about the perils of success and the world of gambling.  With outstanding supporting performances from Idris Elba, Kevin Costner, and Michael Cera, it tells the real-life story of Molly Bloom, who wrote the book on which it is based, and who rose to prominence in a profession dominated by men.

8.       “Battle of the Sexes”

In 1973, while I was at UMass Amherst, there was a tennis match between Billie Jean King and Bobby Riggs that was dubbed. “The Battle of the Sexes.”  Of course, anyone who knew anything about sports understood that King was a much better tennis player than Riggs, who was way past his prime and had been reduced to the role of loudmouth sideshow.  But most of the male world didn’t realize how important this match was to women everywhere, and when King won the match, UMass exploded; I spent the next few hours interviewing women for the lead article in the next day’s Massachusetts Daily Collegian.  While the match was indeed important, what was more important were the events leading up to it on which this movie is based.  Not only did King (played expertly by Emma Stone) have to battle for pay equality, but she had to do it while confronting her own sexuality as a lesbian in the 1970s. With a cast that includes Steve Carell (as Riggs), Andrea Riseborough, Natalie Morales, Sarah Silverman, Alan Cumming, Elisabeth Shue, and Bill Pullman (a UMass classmate), this movie, written by Simon Beaufoy and directed by Jonathan Dayton and Valerie Faris, confronts a wide range of issues and does it extremely well.

7.       “Baby Driver”

Written and directed by Edgar Wright, this stylistic film is about a young man (played by Ansel Elgort) who, as a result of tinnitus, wears earbuds and constantly listens to music.  He is also an expert getaway driver who performs this trade for an evil character, played by Kevin Spacey, who puts together crews to perform heists.  As each heist becomes more dangerous, and he meets the woman of his dreams (played by Lily James), the young man begins to consider his options.  With supporting performances from Jon Hamm, Jon Bernthal, Sky Ferreira, and Eiza Gonzalez, this film is a visual, aural, and visceral treat.

6.       “Three Billboards Outside Ebbing, Missouri”

An amazing script by director Martin McDonagh, combined with world-class acting by Frances McDormand, Woody Harrelson, and Sam Rockwell, combine to make this odd, quirky movie a real treat.  Nobody in the film is really likeable, but neither are they detestable.  It’s just a story about a troubled town with a difficult past, a few of the characters that inhabit it, and the difficult choices they have to make.  It’s one of those movies where the script made me laugh, but the subject matter is so painful that I felt bad for laughing.

5.       “Dunkirk”

Dunkirk is a little movie about a big topic.  It tells the true WWII story of when thousands of allied soldiers, from Britain, France, and Belgium, were stranded on a beach as the German air force bombarded them and hundreds of British boats, mostly manned by civilians, rushed to save them.  But instead of focusing on the battle or the magnitude of the rescue, writer/director Chistopher Nolan tells the stories of a few people, the difficulties they faced and the trauma they endured.  Starring Fionn Whitehead, Mark Rylance, Barry Keoghan, Aneurin Barnard, and Kenneth Branagh, this is an expertly crafted, personal movie about heroism and survival.

4.       “Darkest Hour”

It’s kind of funny that Dunkirk and Darkest Hour appear after each other on my list, because they tell overlapping stories.  In this case, it’s the role of Winston Churchill in the early days of World War II, including the German bombardment of Dunkirk.  This movie delves deeply and personally into the difficult decisions of one of the 20th Century’s most important people, and the political games he must play, which he clearly despises.  Featuring excellent support from Kristin Scott Thomas, Ben Mendelsohn, and Lily James, the film, written by Anthony McCarten, is driven by the amazing performance of Gary Oldman, who has cemented himself as one of the best screen actors of our time by the way he inhabits each role, and especially this one.  With the help of outstanding makeup and stellar direction by Joe Wright, you actually believe you are watching Winston Churchill, and you are transported to England during its most difficult years.

3.       “Get Out”

Anyone who has followed the comedy of Key and Peele realizes that Keegan-Michael Key and Jordan Peele are two of the brightest, most insightful people on the planet.  So, naturally, when Jordan Peele wrote and directed a movie named “Get Out,” I assumed it was a comedy.  While there is certainly humor sprinkled throughout the movie, it is definitely not a comedy.  It actually starts out like a modern version of “Guess Who’s Coming To Dinner,” and ends up as one of the best suspense/horror films of this or any year.  In this case, there are no evil creatures or aliens—only seemingly normal, rich, white people with whom you might interact every day.  However, through Peele’s brilliance, these people are exposed as the racist villains they are.  I can’t say any more without spoiling the surprises, but rest assured, this film, which stars Daniel Kaluuya, Allison Williams, Bradley Whitford, and Catherine Keener, is deserving of all the praise it is receiving.

2.       “The Post”

If you lived through the 1960s and 1970s, when every day seemed to expose new revelations about the Vietnam War, the US Government, and the American Presidency, this movie will strike a familiar chord.  However, if you are younger than that, it’s an important movie to see.  The depth of this importance is not purely from a historical perspective, but rather from the perspective of the world today and the assault on the press which we are experiencing.  In those days, there was no “fake news;” there was only news and commentary, and sometimes they overlapped.  In this case, the news focused on Daniel Ellsberg (played by Matthew Rhys) who managed to copy and leak a massive study of the Vietnam War and its underpinnings, that spanned four decades and exposed how every president from Truman to Nixon lied to the American people.  Known as the Pentagon Papers, the first of these pages were released in the New York Times, whose publisher, Abe Rosenthal (played by Michael Stuhlbarg), was banned by the US Courts from publishing any more of the pages.  The pages then found their way to the Washington Post, whose Editor-in-Chief, Ben Bradlee (played by Tom Hanks), pushed for the paper to publish them.  The decision then fell on Katherine “Kay” Graham (played superbly by Meryl Streep) to determine if it was prudent to defy the Times’s court order, publish the pages, and risk losing the newspaper.  Add to this the fact that Graham was America’s first female newspaper publisher who was actually a Washington socialite, and the pressure she faced was insurmountable.  This film, written by Liz Hannah and Josh Singer and directed by Steven Spielberg, features amazing performances by a star-studded cast, including Bob Odenkirk, Sarah Paulson, Bradley Whitford, Bruce Greenwood, Tracy Letts, and Alison Brie.  It is as good as it is important.

1.       “The Shape of Water”

Guillermo del Toro has always made unusual movies that combine fantasy and reality, but this is his best by far, and it features an unlikely relationship between a mute woman (played by the always excellent Sally Hawkins) and an amphibious creature (played by Doug Jones with a massive amount of makeup).  Set during the Cold War, the creature is being held in a secret research facility where Hawkins character and a character played by Octavia Spencer work in maintenance.  Controlled by Michael Shannon’s character, who uses a cattle prod liberally on the creature, the facility is doing research for the US military, and the creature is eventually deemed expendable.  This is all a backdrop for a unique love story that is surprisingly sensuous and heartwarming.  Written by del Toro and Vanessa Taylor, this movie features wonderful supporting performances by Richard Jenkins and Michael Stuhlbarg.  It harkens back to “Beauty and the Beast,” “Splash,” and “ET,” while using music and breathtaking visuals to awaken your senses.  If you are the type of moviegoer who can suspend reality and go with the flow for two hours, you will be rewarded with a memorable experience.

So, that’s my list today.  It may change tomorrow, which is the beauty of posting it on a blog.  Please let me know if there are other movies you feel belong on this list.

The Reid Awards

And now, for the third year, I will present awards based entirely on criteria that only I understand:
·         Breakout Actor of the Year: In the past, this award has gone to Alicia Vikander and Mahershala Ali, and this year, it unquestionably belongs to Michael Stuhlbarg, who has already had a decent career in movies and TV, but this year, had important roles in three movies on this list: “Call Me By Your Name,” “The Post,” and “The Shape of Water.”

·         The Future Meryl Streep Award for Best Young Actress: Not yet a household name, Lily James is a British actress who shined this year in “Baby Driver” and “Darkest Hour.”  She already has three movies coming out including playing the young Donna (Meryl Streep) in the Mama Mia prequel.

·         Best Child Actors: Last year, one of the recipients of this award was Jaeden Lieberher, who again was a candidate as the star of “It.”  But instead, I will give this year’s award to Sophia Lillis, who played opposite Lieberher in “It.”  At 15, this girl exudes star power that will only continue to blossom.


·         The Boomers Who Keep Going Award:  As a baby-boomer, I feel a certain kinship with over-60 actors who keep making good movies, year after year, and made my list this year (listed alphabetically): Kevin Costner, Tom Hanks, Samuel L. Jackson, Richard Jenkins, Michael Keaton, Bill Pullman, and Meryl Streep.